More and more frequently, when I ask friends, acquaintances, and strangers what they’re watching and enjoying on TV the most, the response is “Homeland.” And it’s often phrased in a surprised tone, as in, “You know, I didn’t think it would, but I’m really hooked on Homeland. I can’t believe… ” and then he or she will go on to describe some plot point that strikes this person as surprising.
One thing this response means is that people are marveling at how much plot development the show is giving us so early on in its second season. I think it’s safe to say that anyone who watches Homeland is sophisticated about the ways television usually doles out information, characterization, and revelations. Which is to say: more slowly than the way Homeland does it. Viewers know that, in the vast majority of other cable and network dramas, producers try to keep their audiences coming back by adding maybe one new detail per episode, dangling a new clue, often near or just after the climax of an hour. READ FULL STORY »