Tag: Sitcoms (1-10 of 172)

May 22 2012 12:45 PM ET

The 2011-12 TV season in review: What went wrong, what was done right, and what should have been

With the last gaspings of season and series finales this week, the 2011-12 season comes to a close. And any season that gave us Homeland, Girls, a great batch of Breaking Bad, Enlightened, and what’s shaping up as a terrific run of Mad Men must be deemed a success, right? Or is the quality outweighed by the soggy awfulness of Free Agents, Two Broke Girls, The Playboy Club, and H8r (oh, let’s face it, everything on the CW except Supernatural and the attempt to bring back Sarah Michelle Gellar, who — much as I like Emily VanCamp — would have been the perfect star for Revenge, not Ringer)? READ FULL STORY »

May 14 2012 12:14 AM ET

'Mad Men,' 'Sherlock,' 'Girls,' 'The Killing': Sunday-night mini-reviews, from A to B-minus

So much TV on Sunday night; inaugurating a new occasional feature: A round-up of mini-reviews. (All rights reserved to expand upon these thoughts later in the week.)

Mad Men: “I got a million of ‘em,” said Michael Ginsberg, quoting Jimmy Durante and referring to ideas he has for ad campaigns. He’ll need ‘em, since this week’s theme was “every man for himself.” I know — when isn’t that a Mad Men theme? This night READ FULL STORY »

Apr 30 2012 09:55 PM ET

'Two and a Half Men' review: 'Why We Gave Up Women,' or: Why did Kathy Bates do this?

Kathy-Bates

Image Credit: Darren Michaels/CBS

I suppose it was for a lark, a few laughs, Kathy Bates agreeing to the stunt-casting of herself playing the ghost of Charlie Harper in this week’s Two and a Half Men episode titled “Why We Gave Up Women.” Well, I hope she had some giggles on the set, because they certainly weren’t on the screen. READ FULL STORY »

Apr 22 2012 10:37 PM ET

'Veep' premiere review: Julia Louis-Dreyfus was great, but did you actually laugh much?

veep

Image Credit: Bill Gray/HBO

Julia Louis-Dreyfus gives such a commanding performance in Veep, which premiered Sunday night on HBO, that the opening half-hour sped by so quickly and so enjoyably, I barely noticed that I never actually laughed during its 30 minutes. Which could be a problem for a sitcom going forward, but first, I want to sing praises to Louis-Dreyfus, and to her supporting cast. READ FULL STORY »

Apr 16 2012 03:36 PM ET

Does HBO have a problem with 'Girls'?

Girls premiered on Sunday night, and looking over the comments running beneath my highly positive review of it, I noticed that a lot of them are… highly negative. Typical comments on EW.com: “None of the characters are really likable”; “boring and depressing”; “talk about the media over-hyping something”; “this is the problem with this generation”… READ FULL STORY »

Apr 15 2012 11:08 PM ET

'Girls' premiere review: Exhilarating, fresh comedy, or a Debbie Downer?

girls

Image Credit: Jojo Whilden/HBO

There is no joy in Girls-ville. It’s a testament to how well Girls, the new HBO creation by writer-director-star Lena Dunham that premiered Sunday night, is constructed and paced that the overwhelming joylessness that could easily have engulfed this enterprise was mostly avoided in its premiere episode. Dunham was wise to commence her first episode with a scene that placed her sad-sack central character Hannah with parents played by Peter Scolari and Becky Ann Baker. These two pros brought an energy to the crucial set-up of the show — that these people who brought Hannah into the world, who’ve paid for every morsel of food and every morsel of education she’s taken in, have decided, two years after her college graduation, that the buck stops here. (Scolari has long lived in the shadow of the out-sized success of his erstwhile Bosom Buddy Tom Hanks but he’s remained a fine laser-focused comic actor, while Baker has had too few opportunities to display her brand of tough maternal affection since her brilliant work on the brilliant Freaks and Geeks.) READ FULL STORY »

Mar 26 2012 11:52 PM ET

'Smash' review: Staging a 'Coup.' Badly. How badly? 'Toxic garbage,' she said.

“The Coup,” the first episode of Smash since its second-season renewal was announced, and the first since The New York Times reported that Smash show-runner Theresa Rebeck would not be returning in that role next season, was a confounding mess, and I write that as someone who’s rooting for this show to succeed. The hour consisted of one major plot-line that began and ended, thus adding nothing to the forward momentum of the show but gave Katharine McPhee a handy pop-music video for her resume. The Julia-has-an-affair storyline ended with absurd abruptness, as Michael Swift met Julia at a playground, pointed to his family and said, “They’re everything to me and I’ve been really stupid.” McPhee’s Karen was enlisted to rehearse a new, non-Julia-and-Tom-written, godawful song with the band One Republic but didn’t feel right about it, because “Julia has been so kind to me.” Really? Have Julia and Karen shared one scene together? If so, it was so slight it escapes my memory. READ FULL STORY »

Mar 25 2012 11:04 AM ET

What TV do you watch on Sunday nights, and when do you watch it?: VIDEO

Sunday nights are getting more crowded with good, essential stuff every week: It’s time to start picking and choosing what you’ll watch in real time, what you’ll DVR for later viewing, and what you might just give up on because it’s just too much TV.

Mad Men. Game of Thrones. The Good Wife. The Killing. READ FULL STORY »

Mar 21 2012 10:03 PM ET

'Bent' premiere review: Does this good sitcom deserve better treatment from its network?

Bent

Image Credit: Vivian Zink/NBC

A loopy romantic comedy with sparks between its stars, Bent made its premiere in back-to-back episodes on Wednesday night, and proved to be one of the better new shows NBC has fielded recently. Amanda Peet plays a single mom who wants some renovations done on her house, and hires a scruffy contractor who offers the right price and an intriguing attitude. Pete is played by David Walton, who, on the basis of this and the undervalued sitcom Perfect Couples, may have only about three notes to play as a comic performer, but he executes them with the ruthless ingenuity of a punk rocker.  READ FULL STORY »

Mar 18 2012 08:01 PM ET

'GCB' preview video review: Growing an audience, religious or not, via controversy

gcb-kristin-chenoweth

Image Credit: Richard Foreman/ABC

So have you been watching GCB? Do you think it’s improved since its premiere, or settled into a more comfortable groove as a satirical look at the unwarranted piousness of a group of wacky Dallas denizens? Do you think having Newt Gingrich single the show out as an example of the media’s “anti-Christian bias” is valid? READ FULL STORY »

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