It was couples-night on the season finale of The Good Wife: Not just Alicia and Peter and Alicia and Will, but also Will and law-student Giada, Diane and Gary Cole’s McVeigh, Kalinda and FBI agent Lana, and even Eli Gold and READ FULL STORY »
Tag: Misc. (1-10 of 105)
'Parenthood' season finale review: 'Lost and Found'
Few shows this season premiered as more of an underdog than Parenthood. An ensemble family drama arriving just after shows in that genre had peaked (I’m [not] looking at you, Brothers & Sisters), the series had to do a crucial bit of re-casting, with Lauren Graham replacing Maura Tierney, who had to leave for health reasons.* And while we know families can be diverse, would it be possible to believe in a series in which Craig T. Nelson is the father of Dax Shepard?
As it turned out, Parenthood steadily developed into one of the most engrossing, adventurous family dramas in years. Credit creator Jason Katims, who’s worked on good stuff ranging from My So-Called Life to Friday Night Lights, with knowing how to juggle multiple story lines while keeping the big cast evolving emotionally.
Last night’s finale was a good example of everything Parenthood does right. Adam and Kristina (Peter Krause and Monica Potter) had their hands full and their eyes bugging out as their “good girl” daughter, Haddie (Sarah Ramos), dyed her hair black and smeared on black lipstick in an adolescent reaction to her “bad girl” cousin, Amber (Mae Whitman) making time with Haddie’s ex-boyfriend. The ever-less-unlikely duo of dad Zeek (Nelson) and Crosby (Shepard) got drunk together and commiserated over their women-problems.
Julia (Erika Christensen) and Joel (Sam Jaeger) tried to help Zeek out of the financial hole he’s in with his bad real-estate investment. Julia did what Julia usually does — tried and failed to avoid being judgmental about everyone around her. (Christensen has the trickiest role in Parenthood, in many ways, and nearly always pulls it off in a manner that only leaves you wanting to throw a pie in her face every other week, which I assume it how Katims wants you to think about Julia.)
The family secret that has set Zeek’s wife, Camille (Bonnie Bedelia), finally engaged in a juicy subplot), off on a middle-aged-angry art career — i.e., Zeek had an affair years ago — is now common knowledge among all the adult siblings. Sarah (Graham) had a lovely awkward moment when she gave her mother what must have sounded like Sarah as sage advice — “You don’t need an invitation to your own life” — only to hear it curdle into unintentional smugness even as it left her mouth. (Lauren Graham is great at playing abashed compulsiveness.)
If the drama that gave the hour action was the search for runaway Amber, Parenthood proved that it doesn’t need a lot of action to be excellent. The dialogue, the unexpected mixtures of one sibling with another (I found the tension between Sarah and Kristina especially choice) combine to give the show a richness that’s going to make it one of the show’s I most look forward to seeing again in the fall.
So what did you think of Crosby’s impulsive decision to move to New York to follow Jasmine and Jabar? How about the brief return of Jason Ritter to offer soft-spoken advice and pull at Sarah’s heartstrings one more time? Can we agree that if there’s another marriage in trouble next season, it’ll probably be that of Adam (the guy tries so hard to be laid-back, he gets tense) and Kristina (she’s not just tense, she’s wound-tight to the breaking-point)? And for any baby-boomer women out there: Could you possibly be won over by a man serenading you with a Herman’s Hermits song played on a ukulele?
And what do you think, in general, of Parenthood?
*(The encouraging news there is that Tierney is reportedly in good health, has appeared in a play in New York, and will return in the upcoming season of Rescue Me in her recurring guest role.)
Follow: @kentucker
The final '24' review: The show is over. 'Shut it down.'
Stop and think about it: The last chunk of 24 ended between the hours of 2 and 4 p.m. That’s the middle of the afternoon. Such a sleepy, winding-down time, for most of us. A time for an afternoon cup of coffee or soda to get through the rest of the work day. But not for Jack Bauer.
The last half of this final season set Kiefer Sutherland’s Jack Bauer loose as what he was trained to be and always tried to transcend: a remorseless killer. And it couldn’t come too soon, as far as I was concerned. I’d gotten used to only half-listening to any of the high-flown prattle about either the peace treaty (“the most important diplomatic action in generations!”) or the death of Hassan (he was handsome, he was a rake, he died — get over it). This eighth season of 24 was uneven — part dud, part exciting action-adventure. By this measure, one of the clear high points of last night was when READ FULL STORY »
The last 'Law & Order' review: How can we miss you if you never go away?
The central plot of last night’s final new episode of Law & Order mattered less than all the stuff going on around it. It was the unexpectedly abrupt conclusion of the series after NBC unveiled its fall schedule last week, and L&O was nowhere to be seen. It gave us some closure to the season-long subplot about the cancer READ FULL STORY »
'Chuck' season finale recap: 'You're special, son'
Chuck continued this season’s trend for jumbo finales (Lost, 24), and for a series that’s never been a huge hit, it yielded some mighty big pleasure and complexity. The two hours — “Chuck Versus the Subway” and “Chuck Versus the Ring, Part 2″ — jammed in extensive Bartowski family history, the full-fledged return of READ FULL STORY »
'24' finale instant reaction: What did you think of the end of the final day?
Spoiler alert! Don’t read any further if you haven’t seen tonight’s two-hour 24 series finale! I’m warning you — try to imagine me speaking to you in a patented Jack Bauer hoarse growl — stay away until you’ve watched. Numerous spoilers ahead. READ FULL STORY »
The final 'Lost' review: sweet, fun, Christian
Lost went out in a manner that was refreshingly not like that of so many dramas, which tend to become more dramatic, serious, and bleak in an effort to prove their ultimate profundity. Instead, the long Lost last night was a combination of a greatest-hits album and a lively Sunday-school lesson. Everyone was forgiven; everyone smiled. If The Mary Tyler Moore Show hadn’t done it first, I suspect that READ FULL STORY »
Review of tonight's 'Breaking Bad': I know it's 'Lost' Night, but watch or record this episode, please
I’m breaking (as it were) with precedent and offering a preview-review of tonight’s Breaking Bad, because it’s so good, I’d be shocked if both Bryan Cranston and Aaron Paul don’t use the episode for Emmy consideration. There’s more on TV tonight than Lost, folks.
The pre-credits begin with a super-close-up of a fly. The episode’s title? “Fly.” The hour is basically a three-character piece: Walt, Jesse, and READ FULL STORY »
'Friday Night Lights' recap: 'In The Skin Of A Lion'
One of the best things about Friday Night Lights this season is one of the worst things happening to Coach Eric — his overwhelming feelings of frustration at his new job, his new team’s lousy skills, his unconscious neglect of his family during these trying professional times. Kyle Chandler is playing all this material beautifully. Last night, it couldn’t have been easy to do all that constant yelling at the team without becoming a hoarse nag, but Chandler pulled it off.
Even better was one of those amazing married-folk fights Eric had with Tami. Seems the new Dillon Lousys needed new uniforms, and Coach’s powers of persuading the local boosters to donate cash equals his ability to smile on the playing field, so he had to write a personal check. For $3,000. Which they don’t have in their bank account. Without telling Tami. Hoo boy, what a terrific, snapping, both-sides-have-their-reasons argument those two had! I could watch Eric and Tami argue for an hour, I swear.
In other subplots, Luke was frustrated because Coach isn’t praising him enough, or acknowledging his sacrifice in playing for the lousy team. They had a verbal showdown, and Coach imparted his non-yelling wisdom to the kid. Looking Luke square in the eye, he gave the boy the ol’ Coach Murmur: “I want you to lead.” Damned if it doesn’t do the trick.
Tim Riggins was pretty busy for a laid-back, laconic guy. Helping Coach coach; putting in a good word for Luke (you could tell Tim felt he saw a little of himself in Luke, so he reassured him: “Give it a chance, trust the coach”); and fending off the flirtations of cute-but-too-young-for-him Becky.
And how about Richard Sherman, the Mean John Chamberlain-Type Artist to whom Matt has apprenticed himself? His very first meeting with Julie, and he calls her Matt’s “ball and chain,” thus planting the seeds of doubt in Julie’s mind about how this relationship is going to turn out. Mean Artist may be an a-hole, but he’s also The Voice of Artistic Freedom, a quality that will be tested in Matt this season, no doubt.
We finished up with a fantastic on-field confrontation between Coach and Michael B. Jordan’s Vince, getting up in each other’s face about strategy, willingness to literally play by the book, and general angry resentments both of these alpha-males explode over. Again: great acting while yelling, this time from two actors. I don’t know how FNL does it.
Random final exclamation points:
• Buddy Garrity got to tell Joe McCoy, “You’ve been a cancer to this team!”
• Landry’s going to be a punter! And that sweet-but-strong Jess gives him punting pointers! Is there nothing this girl cannot do? She may be the one to make Landry forget he once murdered somebody and plays in Crucifictorious!
• Rare misstep for FNL: the Julie’s questioning her faith and thus making her mom sad subplot. That’s a non-starter that only led to lines like, “You’ll always be my little girl.” Connie Britton should never have to utter words unworthy of her goddess status!
What did you think of this week’s Friday Night Lights?
'Fringe' season finale recap: 'Over There, Part 2,' a kiss, a 'death,' and the 'monsters in our skin'
In the alternate universe, Madison Square Garden is the quarantined site of a worm-hole with people frozen since 1999 in containment-amber; Liberty Island doesn’t just have a bronze version of the Statue of Liberty — it’s also the headquarters for the Department of Defense. (Leave it to patriotic politicians to militarize a symbol of open welcome.)
And so the season finale of Fringe began, with Peter helicoptering over the island to greet his long-lost father, the Secretary of Defense Walter Bishop. They said all the right things — “I’ve imagined this moment so many times”; “It wasn’t easy, making the choice to come home” — but there was READ FULL STORY »
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