Tag: Awards, Festivals & Events (1-10 of 11)

Dec 15 2009 09:37 AM ET

Golden Globes TV fresh-faces: 'Dexter,' 'True Blood,' and 'Good Wife' fans should be 'Glee'-ful!

The Golden Globes used to be the home of surprises, making the Emmy nominations seem stodgy. But with a few exceptions, this year’s TV nominees could have been predicted by anyone with a pay-cable subscription: True Blood, Dexter, Big Love, and (on basic cable) Mad Men dominated the Globes. Not that there’s anything wrong with those choices.

Still, I’m cheered by the some fresh faces and shows among the nominees:

• Julianna Margulies, for best drama actress in The Good Wife: yay, a 10 p.m. CBS network drama about grown-ups gets some recognition!

Modern Family and Glee in the comedy category: How great that Modern Family in particular, a show that found its great comic voice from the moment its pilot aired, should be selected for nomination so quickly by the Globes! And to have Matthew Morrison, who leads up Glee, nominated is a fine choice among so many comedy-series possibilities.

Dexter fans, sharpen a knife in celebration: John Lithgow (for his Trinity killer turn) joined previously-nominated Michael C. Hall and Dexter itself in being nominated!

• The comedy-category vote-of-confidence resides in Courtney Cox’s nomination for Cougar Town. That sitcom is wildly uneven, pretty clever, and Cox is, of course, a TV-awards favorite, but seeing her join the ranks of Edie Falco (hoo-ray: Nurse Jackie!) and Toni Colette (United States of Tara) is impressive. Even more impressive? The nomination of Glee’s Lea Michelle in the same category (Best Comedy Actress).

Hung: The freshman HBO dramedy got some Globes support — stars Thomas Jane and Jane Adams were both nominated!

As for the predictables, well, I’ll tell you right now, in any TV-movie/miniseries category, bet your mortgage on HBO’s Grey Gardens – that thing is catnip to any awards voter.

The same goes for Mad Men: While I hope True Blood, Dexter, and Big Love give it strong competition, this industry fave is going to be hard to beat as Best Drama. Same goes for Jon Hamm in the best-actor category.

Read the full list of nominations here.

What do you think of the nominations? Who do you hope will win?

Nov 23 2009 10:44 AM ET

In defense of Adam Lambert: As a TV event, he was splendid

I admire the way my colleague Michael Slezak has analyzed the shortcomings of Adam Lambert’s AMA performance. He writes like a first-rate music critic, breaking down the ways in which Lambert’s vocals, the show’s sound system, the song itself, and the over-the-top performance failed, from Michael’s point of view as an expert of the American Idol aesthetic.

I have to say, however, that as a TV viewer, I thought Lambert’s performance was a gas, a delight, a blast of brash vulgarity in the midst of merely ordinary vulgarity.

Lambert was an event unto himself. The song he was singing was beside the point — and the point was, “Here I am, Adam Lambert, freed from the shackles of American Idol, I’ll push this dancer’s face into my crotch if I feel like it, isn’t it funny to lead human beings around on leashes, and can you believe how high I got my hair to stand up under these lights?”

As a post-music pop star in the manner of Lady Gaga, music takes a back seat to spectacle. Lambert’s AMA climax wasn’t a commercial for his new album; it was, in the Norman Mailer phrase, an “advertisement for myself.” As he did on Idol, Lambert simultaneously connects himself to pop history (his look, demeanor, and his multiple vocal styles gather together Elvis, Elton, Labelle, Pin-Ups David Bowie, with a dash of Lou Reed circa Transformer and Rock N Roll Animal) and disconnects himself from any earlier tradition.

A day after the AMA broadcast, he’s all anyone wants to talk about, and his was the only performance worth considering in multiple ways. Conventional measures of “good” and “bad” went out the window for a few moments. Flouting convention: how rock & roll. Using TV instead of music as a way for a singer to maintain prominence: how pure pop.

Nice job, Lambert.

UPDATE: Barbara Walters and Elisabeth Hasselbeck just slammed Lambert on this morning’s The View (Elisabeth: “there was a sexual aggression there”). I repeat: Nice job, Lambert.

For more on Adam Lambert and the AMAs: Adam Lambert: Simulated fellatio, bikini-area snapping, and make-out sessions. But what about the vocals?

AMAs ’09: Best/Worst Performances

Nov 12 2009 08:56 AM ET

CMA Awards best and worst, starring Taylor Swift, the ghost of Kanye West, and Carrie Underwood's purple sequined hot-pants

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Taylor Swift became the youngest person to win the Entertainer of the Year, the final prize given out last night at the 43rd annual Country Music Association Awards. And the restraint she showed on last week’s Saturday Night Live in not making a Kanye West joke went out the window at the CMAs. Which means it’s time to round up the best and the worst moments I saw while watching at home.

Best Musical Performance: Reba McEntire sings her terrific hit “Consider Me Gone” as though it was a ferocious rebuke to all the country-radio and cable-video channels that resist featuring women over 50.

Worst Song Choice: The decision of the otherwise-likable Zac Brown Band to perform “The Devil Went Down To Georgia.” This endless story-song was a tedious, show-off-y (look, the fiddler can fiddle really fast!) hit when Charlie Daniels did it in 1979. Brown, giving it the full sweaty-wool-cap treatment, did not improve it. But the ostentatiously sweaty effort got the band a standing ovation anyway.

Best Over-The-Top Moment: Carrie Underwood performing “Cowboy Casanova” in a massive production number that featured a bordello-red backdrop, back-up dancers dressed in black bustiers, and Betty Draper’s fainting-couch from Mad Men. Arising from that sofa was Underwood, who wore a long white peignoir that revealed what looked to like purple sequined hot-pants. To make sure we noticed these, Underwood pushed her pelvis at the camera as though it was a snow-plow:

Best Pure-Country Winner-Quote That Almost Didn’t Make A Lick O’ Sense: Jamey Johnson, accepting the Song of the Year award for “In Color,” growled amiably, “Ah never thought y’all’d let me come to stuff like this.” Aw, shucks, Jamie — the Nashville crowd couldn’t get enough of your ordinary-mountain-man image.

Most Awkward Moment: Sugarland wins Best Duo award and Jennifer Nettles acknowledges what apparently everyone in Nashville believed: That Brooks and Dunn, giving their final CMA performance before retiring, were a lock. Nettles generously invites B&D to come up and “say a few words.” Cut to Brooks and Dunn in their seats. Their gazes say, “We are so over this kind of stuff.” Ronnie Dunn literally waves the camera away from them. Ulp:

Best Kanye West Reference: Co-hosts Brad Paisley and Carrie Underwood singing a little tune they liked to call “Mama, Don’t Let Your Babies Grow Up To Be Kanye.” If you didn’t see or hear it, you’ll have to trust me; it was cute and funny.

Worst Kanye West Reference: Taylor Swift, accepting Female Vocalist award, said she wanted to thank everyone in the audience “for not running up onstage during this speech.” I tell you, Kanye’s spirit hung in the air, leading to…

Best/Worst Kanye West Reference: Little Jimmy Dickens interrupts Brad and Carrie by strutting onstage to yell, Kanye-style, that “Taylor Swift made the best video ever!” Not funny reading it on a computer screen; kinda funny, however, when seen being delivered by an 88-year-old, four-foot 11-inch man whose biggest hit was “May The Bird Of Paradise Fly Up Your Nose.”

And finally:

Worst Judges’ Decision Of The Night: Awarding Taylor Swift the Best Female Vocal award. Look: I think she’s a terrific songwriter; I even think her all-stops-out stage show earned her the big one, Entertainer of the Year. But her voice is thin, and sometimes as wobbly as a newborn colt. Sorry, Taylor, when placed against the competition in this category — Martina McBride, Reba McEntire, Miranda Lambert, and Underwood — you just aren’t the best singer.

I await your agreement and disagreements, below, please.

(And you can follow me on Twitter.)

For more on the 2009 CMAs: We Live-Blogged It!

Oct 16 2009 07:52 AM ET

'30 Rock': Why does a hilarious show have to beg for viewers as though it had a case of... arrested development?

UPDATED WITH RATINGS BELOW: “I want to welcome you to Season Four.” With that semi-greeting — Alec Baldwin’s Jack was referring to the restaurant to which he’d brought his most treasured employees, to sample a troubled-economy pleasure, the Cheesy-Blaster — 30 Rock took off last night with a breathlessly daffy edition.

It had all the elements you want in a Rock: Misperceived motives (Liz and Pete’s attempts to find a new cast member misconstrued as an office love affair by everyone including Pete’s all-too-understanding wife); Tracy Jordan doing something absurdist ridiculous (in this case, trying to get back in touch with his inner poor-man; this, from a man who has to ask his assistant-pals which elevator he’s not afraid of), and Jack READ FULL STORY »

Oct 14 2009 11:13 AM ET

'Mad Men': Fired writer Kater Gordon co-writes this week's episode

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This Sunday’s episode of Mad Men is called “The Color Blue.” Its writing credit goes to “Kater Gordon and Matthew Weiner.” Yes, the same Kater Gordon who was fired from the show soon after winning an Emmy.

Could this be the episode during which Weiner decided, as he put it in his statement to the press, “Matt has reluctantly decided that their relationship has reached its full potential”?

I’m always psyched for a new Mad Men; this only increases my interest for this coming Sunday. That, and whether Sal will ever make it out of that park we left him in last week with his dignity intact…

Sep 20 2009 11:21 PM ET

The Emmys and Neil Patrick Harris: What were the best and worst moments for you?

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Here are mine. What are yours?

The 3 Best Things About The Emmy Awards

1. Neil Patrick Harris: The very model of a smart, funny host, he was the classiest Emmy host since Johnny Carson, with equally good posture. His “Dr. Horrible” moment, with the stalwart Nathan Fillion, was a high point.

2. John Hodgman as announcer. His articulately daffy commentary on the winners (after a win for the Hugh Jackman-hosted Oscar telecast: “This was the first time a musical number was written for a wolverine”) was excellent dry wit.

3. Bryan Cranston winning for a second year in a row — and he tied with Jessica Lange for the most eloquent speech.

The 3 Worst Worst Things about the Emmy Awards

1. No Emmy for Neil Patrick Harris.

2. The endless, endless boring middle section devoted to awards for reality shows (but: yay, Amazing Race!) and mostly-overrated TV-movies and miniseries.

3. Too many wins for Little Dorrit; none for Generation Kill.

The Most Surprising Moment (a tie)

Matthew Weiner, for equating his show Mad Men with the election of the President (“What a year, first the election and then this”) and for proclaiming himself “the only person in this room with complete creative freedom.” Huh?

And Ken Howard thanking the woman who donated a kidney to him. Nice. (I’m not being sarcastic.)

What were your favorite, and least-favorite, moments?

More Emmy Awards coverage on EW:
Our 2009 Emmy Awards live blog
2009 Emmys: See what you missed in our backstage report
EW staffers tweet from the Emmys after-parties
Video: Red carpet interview with True Blood‘s Stephen Moyer
Video: Emmy-winner Michael Emerson and Jorge Garcia on the next season of Lost
Video: Tina Fey and Jane Krakowski leak 30 Rock spoilers!
Video: The cast of The Office shares spoilers on the red carpet

Sep 18 2009 11:37 AM ET

The Emmys: Which reality show do you think will win?

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I’m wrapping up this week of Will Win/Should Win predictions for the Emmys by jumping to the Reality Competition Program category.

The nominees are: The Amazing Race, American Idol, Dancing With The Stars, Project Runway, and Top Chef.

The Amazing Race has always won in this category, and I like Race a lot. But I think this is the year Top Chef will defeat it. Chef is classy enough for Emmy voters who think it’s time to spread the wealth a bit and may find Idol and Dancing a tad too cheesy for their tastes.

See? Taste! Top Chef has the advantage.

So please tell me: Who do you think will win?

Sep 17 2009 11:34 AM ET

The Emmys: Tell me who will win Best Actress in a Drama

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Continuing my — and your — picks for this Sunday’s Emmy Awards, today I’d like to know:

Who do you think will win, and who should win, the Best Actress in a Drama category?

The nominees are: Glenn Close, Sally Field, Mariska Hargitay, Holly Hunter, Elisabeth Moss, and Kyra Sedgwick.

Here’s my thinking on this. Glenn Close won last year, but this season’s Damages was considered by some (not me) to be of lesser quality. In any case, I don’t think she’ll be a repeat winner.

I think Kyra Sedgwick will win — The Closer has never been more popular, and the public and Emmy voters love her character in this show. But you should also never count out a come-from-behind win by Mariska Hargitay, whom the voting body adores.

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But I wish Elisabeth Moss would win: Her Peggy is one of the subtle joys of Mad Men. She’s transfixing in every scene she’s in, one of the Mad people who never succumbs to the show’s occasional self-conscious heaviness. Moss is always lively and smart in however she chooses Peggy to react in any situation, inside the ad agency, or in the character’s grim personal life.

So what do you think? Who will win, and who should win? Vote below, please.

Sep 16 2009 12:20 PM ET

The Emmys: Who will and should win Best Actor in a Comedy?

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Continuing my week-long invitation to you to pick the Emmy winners with me, today I ask: Who will win best actor in a comedy? Who will win, and who should win?

The nominees are: Alec Baldwin, Steve Carrell, Jemaine Clement, Jim Parsons, Tony Shalhoub, and Charlie Sheen.

Alec Baldwin won last year, and Emmy voters certainly don’t mind giving awards to the same actor two years in a row (just ask Tony Shalhoub). So Baldwin is definitely a contender. And a great performer.

But my combo will win/should win pick is Parsons. He’s becoming an amazing comic actor in The Big Bang Theory, able to recite reams of recondite dialogue with witty ease. He’s won over many a talk-show audience this past year with his charming banter. The kid’s a natural.

Who do you think will and should win in this category?

Sep 15 2009 01:39 PM ET

The Emmy Awards this weekend: What show do you think should win as Best Drama?

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The Emmy Awards are on Sunday, so I’m continuing this daily who should win/who will win prediction discussion.

I began yesterday with the Best Comedy category, so today I ask:

Who will win among these nominees, and who do you think should win?

The nominees are: Big Love, Breaking Bad, Damages, Dexter, House, Lost, Mad Men.

Me, I think Mad Men will win the Emmy Award: Although it’s relatively new (Emmy voters are notoriously skittish about heaping multiple awards on shows that haven’t been around for a while), Mad Men is a classy show that voters can feel comfortable getting behind. It’s got both respect and media buzz.

As for what should win? I think both Breaking Bad and Dexter are fully as good as Mad Men, and deserve an Emmy. And oh yeah: Lost had a pretty great season, didn’t it? If I had to narrow it to one pick (which I do), I’ll say: Breaking Bad should win.

What about you? What drama do you think will win, and which one should win?

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