Turns out, in addition to everything else good about it, Men of a Certain Age is the uncanny forecaster of an upcoming broadcasting trend this fall: shows about men who feel insecure about their place in the world, their masculinity, their relationships with women. New sitcoms such as Free Agents, Man Up!, and Last Man Standing will all joke nervously about the topics that the guys on Men of a Certain Age have been discussing for two seasons — except our Men does it with a more nuanced, sometimes poignant approach. Add the Mad Men-envy of a bygone world in which men were men and women were human ashtrays that crops up in the new fall dramas The Playboy Club and Pan Am, and Men of a Certain Age looks positively prophetic. By contrast and unfortunately, the premiering show that preceded Certain Age, Franklin & Bash, offers a view of manhood that’s closer to the 2007 ABC sitcom Cavemen… and that may be a slight insult to Cavemen. READ FULL STORY »
Archive: May 2011 (1-10 of 27)
'Men of a Certain Age' and 'Franklin and Bash' reviews: Some men age better than others
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'Platinum Hit' premiere review: 'Love it or hate it! Woooo! Love it or hate it!'
Platinum Hit is Bravo’s attempt to do for songwriting what Top Chef does for food and Project Runway does for fashion — that is, to fill the TV screen with grasping talents, semi-talents, and egoists, offer them prize money and a career, and watch the beautiful creativity flourish! READ FULL STORY »
'Friday Night Lights' recap: Familiar faces returned
If you thought Friday Night Lights was going to let Julie off the hook for her little life-disaster (smooching with married T.A.; running into the Taylors’ mailbox), you must have joined me in the pleasure I took in seeing Julie placed front and center and wallowing in gloriously unjustified self-pity this week. READ FULL STORY »
Why did Oprah matter? Will she ever again, on her OWN?
Unlike so many trumped-up celebrations of famous people, the three-day farewell to Oprah Winfrey taking place — where else? — on The Oprah Winfrey Show can scarcely be dismissed as self-congratulation or hype. READ FULL STORY »
Why do we like Tom Selleck so much?
Tonight, Tom Selleck will star in another of his Jesse Stone TV-movies, this one titled Jesse Stone: Innocents Lost. In it, Selleck’s Jesse has lost his job with the Paradise, Mass., police department, he’s drinking heavily, and he’s haunted by the death of a girl he once tried to help. In other words, it’s Jesse just the way we like him: broody and depressed, but never missing a clue or a chance to get back at someone who’s done him wrong. READ FULL STORY »
'Saturday Night Live' season finale recap: Justin Timberlake and Lady Gaga, a formidable team
Saturday Night Live wrapped up its season by opting for familiar characters and sketches that ranged from quite to very funny. Host Justin Timberlake acted, danced, and, yes, sang up a storm, but so did music guest Lady Gaga, who proved to be a delightfully game addition to a number of sketches. READ FULL STORY »
'Saturday Night Live' finale with Justin Timberlake and Lady Gaga: Your opinion is desired.
Oh my, is it the end of the season for Saturday Night Live already? Well, what better way to cap it off with one of the show’s best hosts, Justin Timberlake? And, as the music guest, a READ FULL STORY »
'Friday Night Lights' recap: A 'Swerve' in the right direction
It’s interesting to see where Friday Night Lights places its emphasis in its final hours, and the biggest surprise in this week’s episode, titled “Swerve,” was the prominent Julie-centric plot. I really thought we’d pretty much waved good-bye to that kid when she left for college, and her smooching-the-married-TA subplot seemed an almost literal kiss-off to a character that had outgrown the show.
But FNL has a way of making dramatic gold out of other shows’ tin cliches. After last week’s college showdown between READ FULL STORY »
'The Good Wife' season finale recap: 'Closing Arguments' opened new doors for Alicia and Will and Peter and...
The Good Wife closed out its season with a finale titled “Closing Arguments” that must have set hearts aflutter for anyone who’s spent the season hoping Alicia and Will would get together. The rest of us marveled one last time at how much storytelling The Good Wife can cram into an hour. This is, I’m convinced, the reason The Good Wife has taken off as an audience obsession, an Internet-watercooler phenomenon: Co-creators Robert and Michelle King are steadfastly sure that viewers of network, one-hour genre shows (The Good Wife is a courtroom drama-slash-romance novel for TV) can absorb a lot more plot, characterization, and detail than the audience is frequently given credit for. READ FULL STORY »
ABC's Fall schedule, night by night: 13 shots at greatness!
ABC announced it will launch 13 new shows, and the network needs all the new blood and experimentation it can afford. The network is stuck in two primary styles — the nighttime soap (Desperate Housewives, Grey’s Anatomy) and the family sitcom (Modern Family, The Middle), with Dancing With the Stars its always-potentially-wobbly sure-thing. (That is to say, yes, people will tune in, but their weekly commitment depends on each season’s casting.) READ FULL STORY »
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