Archive: March 2010 (61-70 of 72)

Mar 5 2010 09:37 AM ET

'The Marriage Ref' recap: The fighting goes on too long

The half-hour premiere of The Marriage Ref last weekend was harmless, silly fun. The regular hour-long version that premiered last night was silly fun that grew more tedious as the minutes wore on. It was like being at a party that started off lively and amusing but went on way past the time when everyone should have put on their coats and gone home.

Guest judges Tina Fey and Eva Longoria Parker joined show co-creator Jerry Seinfeld with host Tom Papa. They grinned at footage of marital spats over the use of a “formal dining room” (the wife wants it untouched; the husband has the temerity to want to sit at the table on a day other than Thanksgiving) and over whether or not a hubby should be allowed to remove his wedding ring to play basketball (guess on which sides the couple lands on that one).

Like guests at that long party I mentioned, Fey, Parker, and Seinfeld READ FULL STORY »

Mar 5 2010 08:50 AM ET

'Burn Notice' season finale: Was Michael finally un-burned?

Pardon the dreadful grammar of that headline, but you know what I mean: Did we witness the lifting of Michael Westen’s burn notice last night?

You knew this was a key episode in Burn Notice‘s history since it was written and directed by the show’s creator, Matt Nix. He undoubtedly wanted the tone to be just right, and I think he succeeded. After killing off Gilroy (good riddance), we got READ FULL STORY »

Mar 4 2010 10:57 AM ET

'The Office' baby episode tonight: What are your favorite sitcom births?

Tonight, Jim and Pam’s baby will be born on The Office. Unless Michael somehow screws it up.

The baby-birth is a staple of sitcoms ever since the 1953 episode of I Love Lucy, when a (real-life) pregnant Lucy gave birth to little Ricky, and the show drew over 44 million viewers. To goose publicity for the episode, it was scheduled to air on Lucille Ball’s actual due-date:

The sitcom baby-birth usually involves a few key elements: a soon-to-be mom who’s grouchy; a panicky future-dad; general chaos. Murphy Brown certainly captured the grouchiness. (And she’d be even grouchier if she’d known all the fuss Vice President Dan Quayle READ FULL STORY »

Mar 4 2010 06:09 AM ET

'Oprah Winfrey Oscar Special': The talk version of air-kissing

During last night’s special, Oprah Winfrey didn’t conduct the interviews. She just set up taped bits, introducing a series of stars interviewing each other about Oscar night. Halle Berry and Penelope Cruz exchanged compliments. (Berry, re Cruz in Nine: “I thought you were sexy from the inside out.”)

James Cameron, who was interviewed by his Avatar star Sigourney Weaver, was gracious about being nominated in the same categories as his ex-wife, Hurt Locker director Kathryn Bigelow. Did you expect him to bad-mouth her?

Glenn Close and Michael Douglas looked at clips and talked — “for the first time,” said Oprah in her intro — about Fatal Attraction. Close allowed as how she thought the famous boiled-rabbit scene was “over the top.” They discussed the re-shooting of Fatal‘s final scene. The original, in which Close’s character committed suicide, didn’t go over well with preview audiences. “The audience wanted you to be killed,” said Douglas.

Close said changing the ending (having Anne Archer’s character shoot her) was “a profound problem for me… I was so mad.”

They hugged and said they were grateful to be friends after all these years.

A charming Ben Affleck interviewed Hurt Locker‘s Jeremy Renner, occasionally reading off, as some of the other stars did, cards.  He asked Renner questions such as “You grew up in Modesto, California… what was that like?” and “Do you have women throwing themselves at you since being nominated?”

The format for this show was silly. You can’t blame the actors, though. They’re not interviewers; they’re not trying to tease out anything that might make a colleague uncomfortable.

What else is there to say? Good luck to those who are nominated this year.

Mar 3 2010 11:20 AM ET

'Parenthood' premiere last night: Are you joining this family?

So did you watch Parenthood‘s debut last night?

I’m rooting for this multi-generational family show, even as I recognize that its mixture of drama and comedy might not appeal to folks who like their shows to fit one genre or the other. I thought the acting by Peter Krause, Lauren Graham, Mae Whitman, and Craig T. Nelson was terrific.

Krause is better-cast here than he was as the angsty lawyer in Dirty Sexy Money. It’s easy to believe the uneasy relationship he has with his roaring, papa-lion father (Nelson excels at that sort of thing without going over the top). And the show’s prominent subplot – about the emotional difficulties of Krause’s young son Max (Max Birkholder) – is a potent heart-breaker.

Lauren Graham’s Sarah is forced by economic tough times to take her two kids (including Mae Whitman, who was superb in In Treatment) move back in with her parents. Graham captured the mixture of embarrassment and defiance Sarah needed to admit she requires some help while trying to build a new life for her (moody, trouble-prone) kids and herself.

I’m not sure that Dax Shepard’s character quite works: He’s a commitment-phobe slacker who’s also a super-sensitive guy who comes through when the chips are down? We’ll see how that works out over the next few weeks.

But I’ll be watching these next few weeks, certainly. I suspect for some people it’s going to be difficult deciding which show to watch in real-time and which to tape: The Good Wife or Parenthood.

What’s your Parenthood reaction?

Follow @kentucker

Mar 3 2010 10:22 AM ET

New 'Southland': Anger, pain, and a fine premiere

Wow, what a blast of eloquent energy Southland is. Its new TNT episode last night took off like a rocket. The cops dealing with an angry crowd (and dealing with the cop who made the crowd angry); the triple homicide case; Ben dealing with a hellish date night — there wasn’t a moment in this hour that didn’t draw me in on some level.

While I regret seeing the excellent Tom Everett Scott’s character sidelined with an injury, it makes room for the flashy new homicide detective played by Amaury Nolasco. He’s already creating some fine tension between him and Regina King’s Lydia. And poor Chickie — what she goes through with now not one but two lousy squad-car partners in a row… well, this cannot end well, can it?

What I find impressive about Southland is that it is determined to present us with a series of highly refined, detailed character sketches while also doing the job of being a solid police procedural, with cases we want to follow to the end. I remember when the series first started, I was disenchanted with Michael Cudlitz’s John, who was introduced as a hectoring bully. Well, he’s turned into a far more complex, vexed character, hasn’t he?

That’s just one example of the kind of meticulousness that’s going into Southland in its second season.

Did you watch the season premiere?

Follow @kentucker

Mar 3 2010 08:34 AM ET

See Sarah Palin do stand-up comedy. Intentionally. 'The Tonight Show,' night 2...

As I predicted, Jay Leno’s return to hosting The Tonight Show resulted in big ratings, soundly beating David Letterman with his Monday debut (re-debut?). Leno’s first guest last night was Sarah Palin. Jay gave her a chance to explain what he called her “writing on the palm thing.” She referred to it as READ FULL STORY »

Mar 2 2010 10:59 PM ET

Howard Stern slams Jay Leno's return to 'The Tonight Show'

Howard Stern went on CBS’ The Early Show to give his reaction to Jay Leno’s return to The Tonight Show. Did Stern have an opinion? Um, yeah: He called Leno “a thief” — “he lifts bits directly from my show — ‘Jay-Walking’ was lifted from my radio show!” — and READ FULL STORY »

Mar 2 2010 04:24 PM ET

'Oprah': Roger Ebert predicts the Oscars, movingly: 'No more surgery for me'

Appearing on The Oprah Winfrey Show today, film critic Roger Ebert gave his Oscar predictions, said he felt “terrific,” and would have “no more surgery”: “I’m not going to talk or eat or drink again, so the surgery would be to patch my face back together… Nobody looks perfect. We have to find peace with the way we look and get on with life.”

As you probably know by now, Ebert has lost his voice from thyroid cancer. He communicates through sign language and computer software that acts as his voice. He types out words and a computerized voice conveys them aloud.

Ebert’s picks for the Oscars? He READ FULL STORY »

Mar 2 2010 10:06 AM ET

'Chuck' last night: What's in a name?


I’ll be honest with you. Between watching too much late-night TV last night and deadlines for the print magazine looming today, I’m not going to write a full Chuck recap. Oh, and there’s also one other reason: With the exception of one plot-point, I didn’t think “Chuck Versus The Fake Name” was all that great. Sopranos-veteran guest stars Tony Sirico and Louis Lombardi were fun but after a while, their jokey presence wore thin for me. So did Chuck impersonating the thick-accented assassin Rafe. And I thought the break-up with Hannah/departure of Kristen Kreuk was hasty, while also thinking Kreuk did a fine job during her story-arc. Overall: It was just a “good” Chuck episode instead of a first-rate one, I’d assert.

But: I’ve seen next week’s episode, “Chuck Versus The Beard,” and it’s READ FULL STORY »

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