Archive: March 2010 (31-40 of 72)

Mar 19 2010 12:01 AM ET

Remembering Fess Parker: Davy Crockett, Daniel Boone, and king of the wild frontier

Fess Parker, best known for portraying Davy Crockett, “king of the wild frontier,” died on Thursday of natural causes, according to The Associated Press. He was 85. He died on the 84th birthday of his wife of 50 years, Marcella.

In his prime, Parker was a big, rangy man who grew up in a small farm in Texas; his voice retained a warm Texas twang. He shot to a singular pop-culture fame in 1954, when Walt Disney’s Disneyland series broadcast “Davy Crockett, Indian Fighter.” With his buckskin jacket, long rifle, slow drawl, and his coonskin cap, Parker was an immediate sensation. Kids could not get enough of his unique mixture of warmth, toughness, humor, and taciturn wisdom. Parker was only 29 when he filmed his first Crockett adventure, but he seemed like a very wise man.

Here’s the all-important Davy Crockett theme song, which became a 13-week, number-one hit single as recorded by vocalist Bill Hayes:

Kids really couldn’t get enough of that coonskin cap. They sold in the millions, an odd fad for a kid-America that had always been more interested in cowboy hats and baseball caps.

The Crockett tales were very loosely based on the real-life Crockett, replete with colorful villains such as Mike Fink, the glowering, slobbo riverboat keelhauler. Buddy Ebsen, the future Barnaby Jones, played Davy’s sidekick, George Russel.

Disney had filmed three of these prototypical TV-movies and killed off the character in the last of them, at the Battle of the Alamo, before the first one aired. Due to the tumultuous response of children and adults across the land, ol’ Davy had to be miraculously revived for a further series.

Parker repeated his TV success a second time, playing another real-life frontiersman in the title role of Daniel Boone, from 1964 to 1970. Parker had wanted to do a Crockett series, but Disney wouldn’t grant him the rights. So Parker’s Daniel Boone wore… a coonskin cap. Once again, never underestimate the power of a catchy theme song:

There had been other Western TV heroes before him, such as The Lone Ranger and Hopalong Cassidy. But Fess Parker conveyed something new at the time: He invested Crockett with an authenticity that struck a chord in the national consciousness.

It was this distinctively American mixture: authenticity that could be marketed, so that kids could watch Davy and, donning their coonskin caps, be Davy, that made Parker a crucial figure in baby-boomer TV culture.

As the once-proud owner of a coonskin cap (and you can bet I wish I still had it), I doff it symbolically to Mr. Parker.

For more: Davey Crockett‘s Fess Parker dies

Follow @kentucker

Mar 18 2010 08:20 AM ET

'South Park' season premiere review: Tiger Woods got golf-clubbed

The South Park boys enjoyed a new video game last night, a new Tiger Woods game in which players can make Woods’ wife beat him with a golf club. (Cartman, thumbing the controls wildly, used his “Pre-Nup Power-Up Option”; instead of losing points, Woods “loses endorsements.”) Warning here, naughty language:

This episode, titled “Sexual Healing,” was a set-up for a South Park carpet-bombing of all celebrity sex-related scandals and sex-addiction therapy, with David Letterman, Charlie Sheen, Bill Clinton, and David Duchovny among those cartooned by creators Matt Stone and Trey Parker.

But the 14th season premiere wasn’t really slamming Woods and READ FULL STORY »

Mar 17 2010 09:49 AM ET

'The Good Wife' review: The most revealing episode to date: sex, religion, babies, and insurance

The promo ads for The Good Wife played up the “Will Alicia and Will Do It?” tease from last night’s episode. But that didn’t prepare us for this hour crammed with controversial, timely, or just plain excitable moments. Themes and subplots included insurance fraud, fetal surgery, Chris Noth’s Peter getting religion, guilt-by-Facebook, and by my count, a quadruple-twist in that Alicia-Will get-together.

Alicia’s firm had taken on the case of a woman 23 weeks into her pregnancy who wanted READ FULL STORY »

Mar 17 2010 03:01 AM ET

'Justified' premiere: Did it justify your time?

What did you think Justified‘s premiere episode? Was it a relief not to have to see any more of FX’s 3,428 commercials for Justified and finally see the thing itself?

Justified worked on just about every level for me. Timothy Olyphant’s Raylan Givens is both an idealized and a realistic man of action. That is, the character isn’t like so many TV and movie heroes who make threats and intimidate thugs with smartly-phrased but empty threats. Instead, Raylan empties his gun into them.

And wild-eyed villains don’t get any better when Walton Goggins plays them. You also believed the bond between these two men, that they could have emerged from the same hardscrabble background and have arrived at very different places in life.

You can read my full review here, as it appears in EW.

As much as I liked it, I do think Justified has some challenges in building an audience. First, and I’m only half-kidding here, there’s the hat: Raylan’s big cowboy hat bellows “Western!” to casual (young?) (female?) viewers who may not be all that enthused about what could be perceived as a modern-day Western.

(Even Elmore Leonard isn’t all that fond of the hat: Read this very entertaining interview Leonard gave to TV critic Alan Sepinwall here.)

More important: Unlike other FX audience faves such as Sons of Anarchy and, before that, The Shield, the show is primarily about one man, not a team or an ensemble. Which means, if you don’t think Tim Olyphant’s character is the bee’s-knees, there aren’t a lot of obviously prominent characters surrounding him to latch onto. (Though keep a close eye on Jacob Pitts’ sharp-shooter Tim Gutterson and Erica Tazel’s Rachel Brooks as increasingly vivid presences.)

Also, the tone of Justified is very intentionally low-key-wry. That’s in keeping with Elmore Leonard’s prose, but it doesn’t always make for the kinds of explosive arguments and tension that, again, SOA and Shield possess in high-octane amounts. The quietness that can erupt into danger at any moment is a story-telling atmosphere that really hooks me; I think it’s a quality Justified shares with everything from The Sopranos to The Rockford Files. (Okay, I just happened to pick two David Chase-associated shows. But you get my point: This is TV with one foot in The Tradition and one in The Anarchic.) You have to get into the rhythms of Justified to take its ride.

Me, I’m in the car for as long as Timothy Olyphant wants to drive it.

How about you?

Follow @kentucker

For more:  Timothy Olyphant talks Justified

Mar 16 2010 07:20 PM ET

A preview of tonight's 'Letterman': Guest Jimmy Kimmel's new 'sucker-punch' for Leno

Be sure to tune in to tonight’s Late Show to see Jimmy Kimmel and Dave land some new blows on Jay Leno as they reminisce fondly about the golden age of feuding just passed. Letterman clearly loved all the stuff Kimmel did during NBC’s appalling decisions regarding Conan O’Brien and The Tonight Show mess, especially the night Kimmel did his own show dressed as Leno. Kimmel’s priceless response: “It’s fun to be Jay — it’s easier. You should try it some time.” Here’s a preview:

It’s fascinating to hear Letterman say, “Nobody got hurt — only NBC did. They lost READ FULL STORY »

Mar 16 2010 10:06 AM ET

'Damages' last night: Ted Danson, Frankenstein's monster with white hair

Categories: Dramas, Television, TV Review

It’s been a helluva good season of Damages so far, don’t you think? All it was missing, really, was that white-haired prince of darkness, Ted Danson as Arthur Frobisher. And here he was this week, the new-new-new Frobisher, who’s experienced an “epiphany,” an “environmental enlightenment.” The former self-described “greedy monster” is now preaching the gospel of “wind” power, and he’s not just talking about his own grinning gabbiness. No, in Damages‘ ever-clever reconfiguration of the real world into its furtive fiction, Frobisher is pushing a T. Boone Pickens-like wind-farm plan to meet our energy needs.

In a delightful twist, Frobisher never even shared a scene with Glenn Close’s Patty Hewes or even overlapped into one of Damages‘ current plot-lines. No, Arthur was busy wooing investors and celebrities to his noble cause, handing out copies of his newly published memoir, My Long and Windy Road (hah!), and cozying up to a comedy-movie superstar, Terry Brooke, played with a raffish moustache and scruffy stubble by Craig Bierko.

When Bierko/Brooke suggested that Frobisher play himself in a movie, Danson/Frobisher took a funny poke at his own appearance: “On camera, I look like Frankenstein.” Yes, but a very handsome version, Mr. Frobisher: Boris Karloff as a dashing star, without the bolts in the neck.

As far as the show’s main story goes: Those three-months-future flash-forwards — it’s gotten so I regret ever complaining about their profusion at the start of the season — I now look forward (so to speak) to more scenes with Tom Noonan’s always wonderfully off-beat cop and more of the puzzle pieces fall into place. (You just knew Martin Short’s terrifically malevolent lawyer Lenny Winstone was going to be a bad guy, but he’s exceeded all expectations for squirrelly behavior.)

And I think every little showdown between Patty and her son Michael’s girlfriend Jill is pure sadistic pleasure. Increasingly, Damages is a mosaic of excellent moments that’s cohering to form a big picture of avarice, agony, and evil.

Are you enjoying Damages this season? Were you as glad as I was to see the return of Ted Danson?

Follow @kentucker

Mar 16 2010 08:29 AM ET

Kara predicts male 'Idol' winner, sings 'New York, New York'

Last night on The Tonight Show, American Idol judge Kara DioGuardi predicted a male winner for this season, nuzzled with guest Terry Bradshaw (the official Bad Sight Of The Night), and confirmed that her father would today announce a New York Senate run.

And Leno played some tape of her singing, when she was “eight or nine” years old.

Even then she was over-emoting, wasn’t she?

When Leno brought up her “bikini moment” (making sure to show us a picture), Kara’s response seemed to betray the influence of sitting near British judge Simon Cowell in her phrasing. “It showed I could kinda take the piss out of myself,” she said.

Jay looked a bit baffled and moved right on. Prodding her for more Idol opinions, she said, “Michael, I love him.”

Since I watch Idol with one eye and one ear closed at all times, you tell me: Was this an important bit of info? What did you think of Kara’s Tonight Show appearance?

Follow @kentucker

Mar 15 2010 01:27 PM ET

Jessica Simpson on 'The Price of Beauty' and John Mayer: 'He'll never have THIS napalm again'

This morning on The View, Jessica Simpson was set upon by the hosts to respond to John Mayer’s recent spate of stream-of-mouthiness interviews, including a comment about Simpson being “sexual napalm.” Simpson said, “Well, he’ll never have this napalm again.”

With this snappy retort, Simpson may have ushered a new term for a sexual part into popular usage. (Wait for it to pop up next season as a Christa Miller punchline on Cougar Town: “If he thinks he’s getting this napalm, he’ll be waiting to explode for a long time!”) What she’s definitely done is effectively promote tonight’s premiere of Jessica Simpson: The Price of Beauty, her new VH1 show.

Price of Beauty is an odd hybrid: part travel show (tonight: Thailand; next week: Paris), part Amazing Race-like gross-out reality show (Jessica and her friends eat fried cockroaches and gag obligingly), part Jessica Simpson comedy show (watch Jessica giggle during a gravely serious meditation session with a Buddhist monk).

Two things about this interest me. One, it’s clear from her View remarks and comments during Beauty that this entire globe-trotting series was inspired by that year-old hubbub about her jeans, which really goes to show how much that ridiculous publicity affected her. And two, I think a lot of people may actually check this show out.

And you know what? Tonight’s first episode, for all its ugly-American boorishness, is pretty fascinating, as a look at different cultural standards of beauty.

Follow @kentucker

Mar 15 2010 08:11 AM ET

An appreciation: How Peter Graves made his mission possible

Peter Graves, who died on Sunday at age 83, is being remembered this morning primarily for two achievements: As the star of Mission: Impossible and as a good sport spoofing himself in the Airplane! movies. But his story is more interesting than that.

Yes, Graves was the right actor at the right time to lead the motley crew of operatives on Mission: Impossible, a James Bond-era adventure series that aired at a time when such dramas could be presented without irony. Although not without flecks of light humor (mostly from the sparks provided by the slinky twosome Martin Landau and Babara Bain), M:I was even able to pull off the “Your mission, should you choose to accept it” shtick with a straight face because Graves was, well, a gravely serious hero as Jim Phelps, leader of a secret government organization.

When M:I first aired on CBS between 1967 and 1973, it was READ FULL STORY »

Mar 14 2010 09:56 PM ET

'The Pacific' review: Brilliant, brutal, and, yes, very enjoyable

I feel as though too many reviews and too many viewers are approaching HBO’s The Pacific as though it’s a chore. It’s not: If you watched the first episode this week, chances are, you’re in for next week, too, because it has tremendous narrative drive. While rightly noting that this 10-part series never shies away from the brutality of the World War II battles against Japan, the vividness of the carnage is neither excessively off-putting nor action-movie celebrated.

No, what came across in this week’s premiere and continues on through each succeeding episode is the tremendous psychological, as well as physical, strain that the war in the Pacific theater imposed upon everyone from READ FULL STORY »

Advertisement

TV Recaps

Powered by WordPress.com VIP