Archive: November 2009 (41-50 of 63)

Nov 9 2009 10:37 PM ET

'Jon & Kate Plus 8' 'Best Moments': Now THIS is the TV series we used to love...

This week’s Jon & Kate Plus Eight was an hour-long clip-job: “Viewers’ Top Moments,” as voted by long-time J&K-watchers on TLC’s website. This was a smart programming decision. After so many weeks of Kate and TLC trying to make entertainment out of the muck of tabloid controversy, simply letting us watch old footage, when the Gosselins were unusual only in having eight kids, was pretty pleasurable.

Those of us who’ve watched all five seasons remember sweet little scenes such as Alexis discovering she loved alligators (“aldergators,” she fan-famously called ‘em):

A Jon-less Kate set up the clips; the producers came up with the categories. You can’t say Kate wasn’t a good sport about this. She had to sit through her meltdown in a Toys R Us, during which she yelled at Jon to stay by her side and bellowed down an aisle, “Come!” — as though Jon was a wayward dog. Yes, this and a few other scenes (how about the time Jon went to a store and didn’t bring coupons, leading Kate to mutter furiously, “You let that man out of the house and this is what happens”?) were among the ones that launched the Kate-as-oppressor, Jon-as-whipped images. These roles eventually became the pair’s on-screen personalities.

The kid footage was terrific, whether they were visiting the dentist for the first time, bopping each other on the head with toy blocks, or hearing Joel discover his manhood:

Speaking of wieners, there was some new interview footage with Kate Gosselin near the end of the hour that reaffirmed the couple’s fundamental differences.

“I was me all along,” Kate asserted after watching the old clips. Then she added, “Jon discovered he was somebody different than we had known him to be.”

Jon, of course, was nowhere to be seen on-camera. But in one old clip, he reacted sharply when Kate was fussing and yelling at him as they tried to dress the kids for some outdoor activity.

“When are you going to pull the stick out?” Jon snapped at his wife.

Kate, in a new interview, said with a sigh, “Perhaps [that] was a sign of things to come.”

Indeed.

Nov 9 2009 09:23 AM ET

'Mad Men': Was this a great season?

Filed under: News and tagged:

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Why are there going to be rave reviews of the season finale of Mad Men festooning the internet today? Because MM creator Matthew Weiner gave his fans what they’ve been dying for all season, even if they strenuously denied wanting it — that is, liveliness, jokes, action, and even the suggestion of a few plot-line resolutions. SPOILER ALERT IF YOU HAVEN’T SEEN LAST NIGHT’S MAD MEN SEASON FINALE. READ FULL STORY »

Nov 8 2009 09:59 PM ET

'Family Guy Presents Seth & Alex's Almost Live Comedy Show': Almost pretty funny

Filed under: News and tagged: , , ,

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Family Guy Presents Seth & Alex’s Almost Live Comedy Show was a pleasantly odd little half-hour sandwiched between episodes of Seth MacFarlane’s Family Guy.

Working with Alex Borstein, who voices Lois Griffin, MacFarlane performed in a nightclub set that included an orchestra and an audience.

MacFarlane has a good singing voice and is remarkably dexterous in the way he can switch in and out of character voices such as Peter and Stewie Griffin. This had the effect of softening some of his trademark outrageousness. He sang a bit of “Edelweiss” from The Sound of Music, and while Borstein acted as though she, being Jewish, was offended by the choice, I was just impressed at how well MacFarlane crooned.

A too-long gag in which Borstein made fun of Marlee Matlin’s speaking voice was also rendered considerably less than scandalous by the fact that Matlin was allowed to come onstage and rip into the hosts.

Another uneven segment featured “discarded screen tests,” such as Bea Arthur’s imagined audition for Showgirls and Kathy Griffin trying out for The Piano. Borstein essayed both of these impersonations weakly. MacFarlane, on the other hand, did a terrific Bert Lahr-Cowardly Lion from The Wizard of Oz.

Hedging his bets against viewers who might not stick around for 30 minutes of live actors making bleeped or just plain corny jokes, MacFarlane included some Family Guy clips and character appearances, such as having Stewie introduce commercials for Sherlock Holmes and Ninja Assassin. (Warner Bros. Pictures stepped in as the sole advertiser after Microsoft weaselled out of its commitment.)

All in all, not a great half-hour, but certainly fitfully amusing and unusually good-natured.

Oh, and I want to see Sherlock Holmes on Christmas Day.

Did you watch Seth & Alex? How did it stack up in comparison to your favorite cartoon, Family Guy fans?

For more on Seth & Alex: Marlee Matlin on Family Guy gag: ‘Lighten up, people’

(You can follow me on Twitter.)

Nov 8 2009 09:14 AM ET

'The Wanda Sykes Show' premiere: Trying too hard for too few laughs

Filed under: News and tagged: , , ,

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Wanda Sykes is terrific: at ease and bawdy; The Wanda Sykes Show is awkward: self-conscious and constrained.

At least, that’s what last night’s premiere episode was like. Sykes delivered a scattershot, eight-minute opening monologue that tried to establish her rebel credentials by attacking the network on which she appears: “Let me be the first person on Fox not to pick on President Obama.” (Intentionally confusing the Fox entertainment network with the Fox News Channel didn’t help the weakness of the joke.)

A lot of pro-Obama jokes followed, which fit the definition of the cliche, “preaching to the choir”: her studio audience clapped dutifully at every slap at targets like Rush Limbaugh and George W. Bush, but they didn’t really laugh very hard. Sykes also made the mistake that The Jay Leno Show does too frequently: illustrating punchlines with big pictures behind the comedian. That’s just beating an already-dead horse.

Speaking of horse cliches, Sykes did an out-of-the-studio sketch about buying environmentally-sound sex-toys. Sykes invented a “solar-powered vibrator” and “reuseable condoms,” saying, “You can lead a horse to water, but you can’t make him use a reuseable condom.”

The final segment was a panel of guests consisting of 24‘s Mary Lynn Rajskub, Brothers‘ Daryl “Chill” Mitchell, and Amazing Race host Phil Keoghan. Unlike Bill Maher or Chelsea Handler’s similar panels, these guests were permitted to sip alcoholic beverages, but the martinis and wine did help the quality of the humor. Ostensibly playing off events in the news, topics included rich people using their wealth to travel in outer space. Mitchell’s comment was that if he had that kind of money, he wouldn’t leave Earth’s orbit, he’d “spend it on weed and hookers.”

One should never count out Wanda Sykes; she’s too talented. But she’s got to get away from the way her monologue looks (so choppily edited) and sounds (even if that was real laughter, some of it sounded “enhanced” with some of the canned stuff). And find better topics for her boozy panel discussions. A debate on “Is screaming the new spanking?” just won’t cut it at 11 p.m. on Saturday nights.

Did you watch the first Wanda Sykes Show? What did you think?

Nov 8 2009 08:00 AM ET

Taylor Swift hosted the best 'Saturday Night Live' of the season so far... really!?!

Taylor Swift proved to be this season’s best Saturday Night Live host so far. Whether shrewdly letting her Kate Gosselin wig do most of the acting during a typically pungent parody of The View, or gleefully screeching while wearing braces in a public-service commercial satirizing texting-while-driving, Swift was always up for the challenge, seemed to be having fun, and helped the rest of the cast nail the punchlines.

Swift began the night strumming her guitar and singing “Monologue Song (La, La, La),” whose lyrics nicely dispatched the heavily anticipated Kanye West jokes, as well as invoking Swift dates Taylor Lautner and Joe Jonas.

Speaking of Lautner, a clear stand-out was the beautifully-shot Digital Short spoof of Twilight that subbed a Frankenstein-monster family for vampires and featured Swift doing an impeccable mopey-Bella:

In her day-job, Swift’s appeal relies in part on the thin vulnerability of her voice and her sensitive-songwriter lyrics. But here, Swift proved admirably resilient in a wide variety of sketch roles, whether she was required to imitate Kristen Wiig’s nervous Penelope character, or Kenan Thompson’s tough convict in a “Scared Straight” sketch that cracked up its own participants. (The host also performed two songs.)

Even the Swift-less “Weekend Update” was strong this week. Many of Seth Meyers’ jokes had a sharp snap, there was a fine Amy Poehler cameo during a “Really!?! with Seth & Amy” segment.

I always love Fred Armisen’s “Nicholas Fehn” moments on “Update.” Armisen, in a shaggy wig and Army-green jacket, toting newspapers, melds Mort Sahl, George Carlin, early Robert Klein, and his own take on any pretentious “conceptual” comedian — it’s an inspired put-on.

Swift inspired more of a female, girly-in-the-best-sense sensibility in SNL than it’s shown since the Tina Fey-Amy Poehler days. I’m thinking, for example, of a sketch such as the one in which Swift and Nasim Pedrad played delightfully devoted-to-each-other roommates, irritating a boyfriend played with fine exasperation by Andy Samberg.

This was one of the rare SNLs where even the late-in-the-evening bits were home-runs. A satire of pop singers contributing to a kid’s-movie soundtrack included dead-on impersonations of Randy Newman by Armisen, Wiig as Natalie Merchant, and Samberg as Adam Duritz.

All in all, these 90 minutes went by Swiftly and niftily.

Agree? Disagree?

(Follow me on Twitter.)

For more on SNL: Taylor Swift sings to Kanye West and Taylor Lautner

Nov 7 2009 11:51 PM ET

Taylor Swift's opening song on 'Saturday Night Live': Sings to Kanye West and Taylor Lautner

Filed under: News and tagged: , , ,

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In her opening “Monologue Song (La, La, La),” SNL host Taylor Swift sang, “You might think I might say/something bad about Kanye/and how he ran up on the stage and ruined my VMA monologue/but there’s nothing more to say/because everything’s okay/I’ve got security lining the stage.”

She also took a jab at “Joe” (that is, Joe Jonas) and sang that we might expect her to say something about “dating the werewolf from Twilight” — but instead, she silently mouthed “Hi, Taylor” and blew Lautner a kiss and winked at the camera.

Having finished the song, she announced, “We have a great show. Kanye West is not here.”

So far, so good…

Nov 6 2009 11:20 PM ET

Rihanna on '20/20' re Chris Brown: 'He said, 'You hate me, don't you?' I lied and said, 'No."

Filed under: News and tagged: , ,

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In a tremendously moving and articulate interview with 20/20, Rihanna gave her first full-length statements about her assault by Chris Brown in February. Describing the beating she suffered in a car with Brown, the singer said that when he beat her, “He had no soul in his eyes… It was almost like he had nothing to lose.” Speaking to Diane Sawyer, Rihanna said of Brown’s remorse afterward, “He’d say, ‘You hate me, don’t you?’ and I would lie and say, ‘No.’”

That was a chilling moment, one among many. Sawyer showed Rihanna online videos of people — fans? — saying that she must have provoked Brown. Sawyer paraphrased their sentiments: “They say, ‘Did she bait him? Rile him?’”

Rihanna said bluntly of such questions, “It’s ignorance.”

Demonstrating a maturity and thoughtfulness about her experience, Rihanna noted, “With fame comes a lot of things, and the most dangerous is freedom… no boundaries.”

At the same time, she said that when she’s shown the pictures of her battered face from that night, “I get very ashamed, angry… embarrassed… You start lying to yourself, blaming yourself… I didn’t want people looking at me. I felt really lonely.”

She claimed never to have heard the song Brown supposedly recorded for her called “Changed Man.” When Sawyer showed her the internet apology Brown issued and asked the singer’s reaction, Rihanna said simply, “It sounds like he might be reading off a teleprompter… I don’t know if he understood the extent of what he did.”

Rihanna explained the fight’s source: ”I caught him in a lie,” when she saw a text message from another woman. “I wouldn’t drop it, and he couldn’t take that.” She described their love as “dangerous… It was a bit of an obsession.”

The awful pressure that is placed upon celebrities to be role models was made clear when she said, “My selfish desire for love could result in some young girl getting killed. I could not be easy with that, responsible for that.” How terrible that this woman should have to bear that weight in addition to what happened to her. That’s one of the biggest flaws of current pop culture — the notion that celebrities must set an example for others. Rihanna went so far as to say to Sawyer, “I’m glad it happened to me, because now I can help young girls when it happens to them.”

Sawyer asked if she “hated” Brown. She replied, “I want him to do well, to have a good career… and to grow up.”

Did you watch the interview? What do you think of Rihanna’s statements?

Nov 6 2009 09:51 AM ET

Jon Stewart maps out the path to Glenn Beck's appendix via the health-care bill

Filed under: News and tagged: , ,

You could say it’s shooting fish in a barrel, Jon Stewart tracking the growing size and monster reputation of the health-care bill, tying it, so to speak, to Glenn Beck’s recent appendicitis attack, as contrasted with the fulminating Beck has done about big, bad government health-care reform:

Still, it’s a very good joke. By the way: Don’t you think blackboard and chalk manufacturers must be really happy these days? A spike in the economy, I’ll bet…

Nov 5 2009 11:15 PM ET

'Supernatural' review: 'Changing Channels': Sam and Dean spoofed 'Grey's,' 'CSI,' and a sitcom

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Supernatural may be surrounded by heavy-duty time-period competition — Grey’s Anatomy, CSI, The Office, Fringe — but it just keeps doing its demon-ganking thing, and this week’s episode, called “Changing Channels,” managed to beat a few of those competitors at their own game.

We were told Sam and Dean are dealing with a familiar foe: (WARNING: SPOILERS FROM HEREON) READ FULL STORY »

Nov 5 2009 04:18 PM ET

Carl Ballantine, an 'amazing' comedy magician and 'McHale's Navy' co-star, has died

Filed under: News and tagged: , ,

Carl Ballantine, a wonderfully clever magician and comic actor, has died at age 92.

Ballantine was known to 1960s sitcom-watchers as Lester Gruber on McHale’s Navy, which starred Ernest Borgnine.

But well before that, Ballantine made his reputation as a unique magician in nightclubs and on TV talk shows. He was one of the first magicians to poke fun of the idea of magic, and jokingly give away some of the secrets of magic tricks as he performed them. He kept up a steady stream of funny, self-deprecating patter as he did so. Check out this clip (pardon the poor quality):

“Aw, this takes a lot out of an artist. Of course, it doesn’t bother me too much.” Great stuff.

Ballantine had a big influence on Steve Martin, who also began his career as a comic magician. Martin told The Los Angeles Times, “Carl Ballantine influenced not only myself but a generation of magicians and comedians. His was also the most copied act by a host of amateurs and professionals.”

Ballantine was an original — swift, smart-alecky, never giving exactly the same performance twice. He cultivated the public image of a hustler-trickster eager to please. In fact, he was an intelligent, thoughtful man. He’ll be missed.

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