Archive: October 2009 (41-50 of 69)

Oct 13 2009 12:15 PM ET

'The Stepfather' on DVD: See Terry O'Quinn before he got 'Lost'... and had more hair

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You’ve probably seen the commercials for The Stepfather, a thriller opening this weekend starring Nip/Tuck‘s Dylan Walsh in both the title role and in his latest attempt to succeed on the big screen. (By the way, Nip/Tuck‘s new, final season begins tomorrow night.)

But you don’t have to wait for Friday. You can see The Stepfather today on DVD. I mean the original, terrific, 1987 version, starring Terry O’Quinn, before he was Locke on Lost, in the title role.

Check out O’Quinn’s cool ominousness here (warning: you get your Locke naked for a little bit here):

Working from a script by the great crime writer Donald E. Westlake, director Joseph Ruben crafted a spiffy tale about a neat, calm murderer who insinuates himself into the lives of his new wife (Shelley Hack, proving she could act well beyond the demands of Charlie’s Angels) and his stepdaughter Jill Schoelen (fun fact: she was engaged to Brad Pitt for three months).

As for the new Stepfather, just judging from this trailer that goes heavy on the additional TV-bait presence of Gossip Girl‘s Penn Badgley, I have no idea about its hit potential:

But I do know that the Stepfather that’s out now on DVD is a wonderfully creepy little thriller.

What do you think? Any interest in seeing either Stepfather?

Oct 12 2009 11:02 PM ET

'Gone Too Far' premiere: DJ AM, gone too soon

Filed under: News and tagged: , , ,

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The premiere of Gone Too Far, a series about coming to the aid of drug abusers, was haunted by the death of its host, Adam Goldstein, a.k.a. DJ AM. Goldstein, a highly talented musician and producer, died two months ago at age 36, from what was ruled an accidental drug overdose.

Gone Too Far will chronicle Goldstein’s attempts to help eight addicts. First up this night was Amy, from Goldstein’s hometown of Philadelphia. Goldstein was a first-rate interviewer, questioning Amy’s mother, brother, and sister with careful precision. (Amy’s dead father, we were told, was also a drug addict.) “I feel a lot of pressure,” Goldstein tells the camera as he emerges from these conversations — pressure to get Amy cleaned up and sober.

We heard about Amy stealing from her family — “thousands of dollars” — and saw footage of her shooting up in a car. “I used to be a good person,” said 23 year-old Amy. “I know I’m better than this.”

Gone Too Far followed a structure we’re familiar with from other shows: the user uses, there’s an excruciatingly intimate family intervention. Then the addict is whisked off to rehab, and emerges clean, for however long he or she decides to remain so.

But what those other shows don’t have is DJ AM. He’s calm here, with a warm voice but a firm manner. He’s straightforward: “I want to get her enough clean-time where it’s not just a bag of dope we’re talking to,” he says of Amy.

Amy did indeed go into rehab — though not without shooting up one more time in a restroom in the Philadelphia airport. After the 90-day treatment, her family and Goldstein visit. She’s clear-eyed and cheerful. Goldstein gives her an iPod with the inscription “Don’t pawn me” and uploaded with “some of my mix-CDs,” he tells her.

You can criticize or debate how much the presence of TV cameras helps or hurts the recovery process. You can’t deny that this was a moving series. “I’m a recovering drug addict,” Goldstein said at the top of the show, over the opening credits. It’s sad he’s not around to say that again.

Did you watch Gone Too Far? What did you think?

Oct 12 2009 09:51 PM ET

New 'Jon & Kate + 8' episode: 'We're behind you, Kate!'

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The new episode of Jon + Kate Plus Eight on Monday was called “School Days,” with the sextuplets, now five years old, starting “junior kindergarten.” (Twins Mady and Cara, being four years older, are in third grade and old pros at school, of course.)

New shoes and lunchboxes were bought, and as a Jon-less Kate led her brood out of the shoe store, there were civilian and professional gawkers on the sidewalk to greet them. Kate told us that she’s done “a major, major about-face” regarding the ordinary folks who want to talk to her. I guess she used to snarl, but now she said she appreciates “that people say, ‘We’re behind you, Kate!’ and ‘Don’t give up!”

Jon also showed up on the momentous morning: the 5:30 AM get-’em-to-the-bus time, to see the kids off. “You only get 18 years with your kids,” he said.

Meanwhile, there are news reports that, on Tuesday, the couple will meet with a court-appointed arbitrator to try and settle some of the “He drained the family account,” “No, she drained the family account!” squabbles the separated couple have been living out in their other media venues, the tabloid newspapers and entertainment-news TV shows.

I guess this is what other divorcing couples go through, on a far smaller, more private scale, of course. Still, there is enough emotional power supplied by the sight of these eight kids toddling down the driveway to give Kate’s comment about Jon being present but not with her — “It was strange not to have somebody to say, ‘Wow, we did it!” — some genuine poignancy.

The rest of the episode was dominated by Kate home alone, obliged to talk to the camera as though narrating her morning to herself. She did the laundry, some paperwork, and there was a slightly frightening moment when she went up to Mady and Cara’s room. She was “horrified” that it was a mess, and started throwing their dirty clothes down the stairs for them to gather later (“I won’t do it for them,” she said firmly). Kate said she cleaned out “six bags of garbage” from their room.

Good heavens, does this woman, who’s spent years cultivating her image as a neat-freak, not go into her eldest children’s bedroom on a regular basis?

Did you watch? What did you think of “School Days”?

Oct 12 2009 02:30 AM ET

'Mad Men': Don Draper, hot for teacher, desperate for a daddy

Filed under: News and tagged: , ,

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Don’t worry, you have a full Mad Men TV Watch recap from Cracklin’ Karen Valby, and I’ll leave to Karen the close readings of the latest office politics and all things Betty – from Bets’ risky business with the curiously wan Republican of her dreams to the continuing presence of that gigantic, clammy-looking fainting couch. I, though, am obsessed with the Draper known as Don, and can’t resist a few observations about last night’s foray into daddy-issues, threatened heterosexuality, and bouncing Bowdoin T-shirts. Yes, it was all about masculinity for Don this week.

In one of those dark-hued, dream-like moments so prevalent on Mad Men this season, Don took a wide-awake pre-dawn car cruise. Driving along in his automobile (to quote Chuck Berry, the first verse of whose “No Particular Place To Go,” which will be released a year later, in 1964, describes this scene perfectly), Don is thinking about what his new father figure, Conrad Hilton wants of him. He came upon that pert, impertinent teacher, Suzanne Farrell. She’s jogging before it was fashionable to jog, looking no less comely in a sweatshirt than she does in her gingham-y schoolmarm dresses.

(Do you think the Bowdoin shirt is former Sopranos writer Matthew Weiner’s little shout-out to one of the greatest Sopranos episodes ever, the first season’s “College,” the one in which Tony killed a guy while taking Meadow on a college tour?)

Their attraction eventually led to Don’s own frisky business, which was cruel on Don’s part: This can only end badly for her, even though Miss Farrell acknowledges that (“I know exactly how it ends”) and willingly smooches and succumbs, nay, nearly swoons in the manly Don-embrace.

Just as interesting was Don’s reaction to the mess Sal found himself in when he rebuffed that crude client who was hoping to make a Lucky Strike of his own with our pal Sal. Unlike a few weeks ago, when Don not only kept mum about catching Sal with the bellboy but implicitly communicated that he understood the man’s urges, this time around, Don assumed those same urges were what got Sal into trouble, and he couldn’t divest himself of Sal fast enough. Sneeringly referring to gays as “you people” – now that’s the reaction I was waiting for from Don, because that’s what a socially conservative, guy’s-guy like Don would have done during this era. I was glad to see that Mad Men wasn’t making Don a dapper paragon of tolerance.

As for the Conrad Hilton affair, this was where Don’s eternal search for a father figure ran aground. After that early one-on-one meeting in which Connie comes right out and says, “You’re like a son,” and Don nearly chokes in responding, “Thank you; I mean it,” it was all downhill from there. Mostly because it turned out that the older man who was taking him under his paternalistic wing proved to be a little nuts. Or as they say about the very wealthy, eccentric. He compared himself to King Midas; I’d say he’s closer to Citizen Kane, shut off from the real world yet arrogantly thinking he knows what’s best for it. “I want the moon”? Could there be a more impossible request, both literally in the cleverly earth-grounded ad campaign Don and his company created for Connie, and figuratively, in setting an expectation of Don that Draper cannot possibly meet?

Once again, the world has failed Don. In this case, the world and beyond. I suppose Don might have tried to save himself with Hilton by turning it all into a joke and quote The Honeymooners – “To the moon, Alice!” That’s what Roger Sterling would have done, I’ll bet. But then, that’s another problem Don has: No sense of humor.

What’d you think of our hero’s behavior this week?

For more on Mad Men:

‘Mad Men’: Affairs of the Heart

‘Mad Men’ fires writer Kater Gordon

Oct 11 2009 06:56 AM ET

'Saturday Night Live' recap: 'SNL' doesn't think Obama deserved the Nobel Peace Prize... z-z-z-z....

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Boy, Andy Samberg does a good Billy Bob Thornton, doesn’t he? Bill Hader is superb as James Carville, don’t you think? I’m trying to lead off this week’s SNL recap with some praise and positivity, but the show keeps conspiring against this strategy.

For the second week in a row, the cold-open consisted of Fred Armisen doing his increasingly half-hearted President Obama impersonation. This time, he played off this week’s Nobel Peace Prize announcement in a predictable way: “I won it for not being George Bush.” Merely stating a fact isn’t necessarily funny.

Early on we got a “Gilly” sketch, with Kristen Wiig doing her mischievous-kid routine, joined by host Drew Barrymore as an Italian version of same. The result: twice the mischief, half the laughs.

“Celebrity Ghost Stories”? Hey, look: Justin Long is doing a Matthew McConaughey impersonation! Gee, too bad — Matt Damon’s is better:

Hader made a valiant effort to wring some humor from one of his Vinny Vedecci, Italian talk-show host routines, but as was true for most of the evening, the writing failed him. I really like this character and his non sequitur setting — a Charlie Rose-style round table. But bringing on Barrymore as herself promoting her movie Whip It and having Vinny mistake it for the Devo song… sheesh, didn’t your uncle make that joke three weeks ago?

“Weekend Update”? Seth Meyers got in more Obama/Nobel Prize digs. Judging from this week and last, SNL seems to have settled on the idea that the way to do Obama jokes is to suggest he’s not getting enough accomplished quickly enough. The result is both pointed and pretty limited. Kenan Thompson fulfilled his apparently-contractual agreement to appear in drag every week by showing up here as Maya Angelou; I snickered at his version of an Angelou poem done in a Dr. Seuss rhyme scheme, but that’s just because Angelou’s real poetry is so lousy, this almost sounded good. It was during “Update” that Hader appeared as James Carville, the high point of a very slow night.

The only sketch I actually laughed out loud at was the ESPN Classic parody, coverage of a 1991 billiards tournament sponsored by Tampax. Barrymore and Wiig, as the pool players, were given nothing to play except some lousy pool-table schtick. But Jason Sudeikis, as a color commentator along with Will Forte, made a lot of amusing tampon puns — hey, this week, you had to take your chuckles wherever you could find them. Compared to the Larry King spoof later on, which revolved entirely around saying the word “weiner,” the tampon punchlines were high wit.

Musical guest Regina Spektor did nothing to dispel my belief that what she does is cross Tori Amos with Billy Joel. Nice voice, though.

Did I miss anything? Did anyone find the “Digital Short” — the fake commercial for a pair of cheesy magicians (Barrymore and Armisen) — funny? I sort of admired the final sketch, which had Forte playing a creepy-yet-seductive loon at a bookstore reading, but, once again, it wasn’t actually laugh-out-loud stuff.

Barrymore appeared in a lot more sketches than Ryan Reynolds did last week. She’s a trouper. Too bad the show this week let her down.

Agree? Disagree?

Oct 10 2009 07:47 AM ET

'Dollhouse': Echo uses her 'Belle Chose' and gets an 'A'

This week’s Dollhouse was overseen by two veteran members of Team Whedon, Tim Minear (who wrote the episode) and David Solomon (director), and proved an improvement over last week’s turgid Echo-finds-her-maternal-side episode. Bolstered by two strong plotlines and a Battlestar Galactica grad (Michael Hogan), “Belle Chose” managed to wrestle with the usual dolls-as-whores dilemma in a manner that was a lot more brisk and witty than usual…

READ FULL STORY »

Oct 9 2009 08:40 AM ET

'Southland' cancelled: Can it still survive? Yes!

Filed under: News and tagged: , , ,

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As EW reported last night, Southland has been canceled by NBC. A combination of so-so ratings and, more significantly, the lack of the 10 p.m. time-slot a grown-up cop drama a series such as Southland requires are undoubtedly the chief reasons.

This is a cryin’ shame. Southland had all the makings of what used to be considered a classic NBC show: Good serialized stories, a fine ensemble cast, and that comfy workplace-drama feel that ER and Homicide: Life On The Street used to have.

Oh, but NBC doesn’t care that Southland‘s Regina King was probably well on her way to an Emmy nomination if her cop character had remained as strong as it did last season, or that Ben McKenzie had found a fine post-O.C. role to grow into. Naw, the network just wants a couple million people to yuk it up while Jay Leno is stuck in that hour, making jokes with Gerard Butler about being naked in the latter’s film roles, as Leno did last night.

Give us all a break. Where can producer John Wells and creator Ann Biderman take Southland? I wouldn’t trust its chances on the already-crammed ABC, CBS, and Fox networks. It won’t fit on pay-cable — not edgy enough. Yet it’s too edgy for a basic-cable channel such as USA. But why not TNT? If it’s Saving Grace, why can’t it save Southland?

Are you irritated that Southland was cancelled?  What NBC show will get the axe next? Maybe they’ll decide that one of the Law and Orders isn’t pulling in enough viewers at 8 or 9 p.m., when it should be on at 10 anyway?

Beyond that, where do you think a wounded Southland could resurface, and thrive, on TV?

Oct 9 2009 07:30 AM ET

'Fringe': Olivia eats worms, Leonard Nimoy rings a Bell

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Last night’s thrilling Fringe episode may have been titled “Momentum Deferred,” a reference to physics, but as William Bell (Leonard Nimoy) said, quoting Walter Bishop, “Physics is a bitch.” No, what they should have called this episode is “Ring My Bell,” after the great 1979 Anita Ward hit. For it was by the striking of a bell that Olivia was jarred out of a new alternate-world visit with William Bell, and this time, she remembered what he said… which was nothing less than a warning about a pending Armageddon in “our” world (i.e., “the last great storm”; “an inter-dimensional war”).

But I’m getting ahead of myself. The hour began with bad guys (it’s still a tad disorienting to see Roger Cross — the late Curtis Manning from 24 — among the villains) hijacking a truck filled with cryogenically-preserved heads. There’s a shoot-out; a dead man’s body bleeds mercury, and Walter finds on the crime scene one of the devices “the shape-shifter used” in a previous episode, except this one’s intact. There’s some quick interaction between Cross’ character and the shape-shifter-possessed Charlie, who’s acting increasingly strange: “You’ve been in that body too long. You’re dying.” Uh-oh: things are not looking good for Kirk Acevedo’s continuing Charlie role… READ FULL STORY »

Oct 9 2009 07:14 AM ET

'Supernatural' cuts off Paris Hilton's head

It’s the moment you never knew you wanted to see, but Supernatural figured out a way to do it: Sam and Dean cut off Paris Hilton’s head last night. (This event occurs about 4:30 into the clip.)

Ok, so Paris was playing Paris — a Paris that had been possessed by one of those demons that always runs through Supernatural. Still, is was pretty amusing to see Sam go chop-chop-chop and then see the wealthy airhead’s head on the ground. In a completely self-parodying, evil-must-die way, of course.

Chances are, you were watching The Office or Fringe or CSI, right? (Man, it’s crowded Thursday nights at 9.) But what do you think of Supernatural‘s little joke?

Oct 8 2009 10:14 AM ET

Watch 'Fringe' tonight. Do it for yourself and for Spock, will ya?

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Hey, I know you have a lot of TV to choose from tonight at 9 p.m., but would you do me a favor and DVR what I’m sure will be a great episode of The Office and, instead, watch Fringe tonight in real time?

Leonard Nimoy returns to Fringe tonight as William Bell, the scientist living in an alternate reality, his office located in a World Trade Center that was never destroyed. See if this rings your bell:

Tonight’s superb episode really jumps the series’ ongoing story forward:

• a major character dies

• Anna Torv’s Olivia is given a secret symbol by Nimoy’s Bell that is a key to discovering the identity of the shape-shifters hellbent on destroying “our” world

• guest star Theresa Russell takes a whole lot of LSD… all in the service of helping our heroes, of course

What else can I tell you to make you watch? You’ll find out the meaning of “The First Wave,” “The Last Great Storm,” and why, in Leonard Nimoy’s phrase, “Physics is a bitch.”

I swear, if you haven’t been watching Fringe, (a) you’ll still be able to follow tonight’s terrific hour, and (b) you’ll be missing the best serialized conspiracy drama since Lost and yes, I like FlashFoward as much as you do.

What do you think? Will you give Fringe a shot? I’ll be back tomorrow to discuss the episode with you. Thanks.

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