Archive: September 2009 (1-10 of 58)

Sep 30 2009 11:44 PM ET

Kelsey Grammer in 'Hank,' Patricia Heaton in 'The Middle': Did you give these new sitcoms a try?

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So, did you give ABC’s two new sitcoms a try?

Hank, starring Kelsey Grammer, was a bummer as far as I was concerned. I like Grammer a lot — who doesn’t? — but could you believe the stiff, contrived show that’s been constructed around him like a house made of flimsy balsa wood? I didn’t buy the premise (rich guy lowers himself into the middle class with a mixture of optimism and despair) and I didn’t buy that he’d be the father of those young kids with their vaguely delineated personalities.

Did you?

The Middle, starring Patricia Heaton, was much better. It had a funny, goofy family — not just Heaton as an over-stressed mom and working woman, but Scrubs‘ Neil Flynn as the dad, and of the three kids, the stand-out is Atticus Shaffer as little Brick. I know, the show, even in its title, may remind you of Malcolm In The Middle, but I liked watching this family bounce off each other, and especially enjoyed what Brick’s teacher called his “quirks”: his habit of repeating himself in a ghostly voice, and his quiet persistence in living in his own world. I admit it: I thought once Everybody Loves Raymond ended its run, I figured I could live without seeing Patricia Heaton again for a looong time, but now that I’ve seen The Middle, I’m appreciating her anew.

What did you think?

Oh, and please feel free to weigh in on the second episode of Modern Family, too, if you stayed with ABC through that. (My quick reaction: not as funny as last week’s premiere, but pretty darn funny.)

Sep 30 2009 09:01 AM ET

'The Good Wife' week 2: Do you still think it's good?

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Some time had passed between last week’s debut episode of The Good Wife and last night’s interesting episode. We were told that Julianna Margulies’ Alicia is now “one month in” to her job as junior associate, and show creators Robert and Michelle King, who wrote this episode, used the time-lapse to skip past tedious Alicia-settling-in subplots.

But time hasn’t made Alicia hurt any less. The hour began with a sex scene involving her husband (Chris Noth) and another woman. It turned out to be Alicia’s dream — a nightmare of infidelity. The Good Wife didn’t linger on this. It plunged into the case of a woman who claimed she was raped. She’d worked for an escort service; the accused was a smirking rich punk. Alicia’s firm was representing her, and we knew how this would play out: the punk would pay.

Except he almost didn’t: Alicia and her law partner (Josh Charles) actually lost the case, due to the ditherings of an all-too-liberal judge (fine performance by Denis O’Hare).

The Good Wife is both a straightforward lawyer show and a subtle domestic drama, a mixture I think is going to make it work over the long haul for us viewers. The terse, poignant home scenes (Alicia’s kids discovering photos of Dad carousing followed by the son’s desperate attempts to prove they’re Photoshopped fakes) contrast with satisfyingly flashy courtroom drama. And how terrific is Titus Welliver as the state’s attorney who’s a little bit bad-guy and a little bit good-guy?

What did you think — still liking The Good Wife? Disappointed that Matt Czuchry was pushed to the sidelines this week? Are you hoping Chris Noth gets out of jail soon?

Sep 29 2009 11:45 AM ET

Kate Gosselin takes over: It's now just 'Kate Plus Eight': Bye, bye, Jon!

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Well, it’s finally happened. TLC has yanked Jon Gosselin from Jon & Kate Plus Eight — excuse me, “adapted to the changing Gosselin family,” as this morning’s press release says — and henceforth, we can watch the new, new, new Kate Plus Eight.

Relaunching in November, the series bows to what viewers have realized for months: That Jon just isn’t into filming his segments with his kids (boring fishing expeditions while he moans about missing his Manhattan apartment, etc.), while Kate is very much into keeping her brand — and brood — alive on TV screens.

TLC says in its statement that the new show will “recalibrate the program to keep pace with the family… and Kate as a newly single mother raising 5 year-old sextuplets and 8 year-old twins.” TLC, the fans and the tabloids were way ahead of you on that one.

TLC also says it is “in development on a Kate project for 2010.” This is presumably the talk show pilot that Kate was reported to be taping recently.

Will you watch Kate Plus Eight?

Also: PopWatch: ‘Kate Plus Eight’: What will Jon Gosselin do now?

Sep 29 2009 09:33 AM ET

'House' last night: For the love of God, can we just have a show about Wilson?

“My godson made me that mug.”

Robert Sean Leonard, uttering that line while Hugh Laurie peed into a coffee cup, was the only time I experienced pleasure last night watching House. I have a certain amount of hope (stoked by my colleague Michael Ausiello) that the House-Wilson household will continue for a while, because the dry byplay between Laurie and Leonard has always been — and to judge from last night’s thoroughly mediocre episode, apparently always will be — the best thing about this series.

Last night, it was confirmed that Foreman is the most boring character on this show when we were presented with the nightmare scenario of him being the House Squad’s new boss. During that limp, last-minute firing of Thirteen in order to “save their relationship,” it was difficult to tell whether the scene was an eye-roller because the premise was ridiculous or because Foreman’s supposedly all-consuming ambition is so devoid of energy or pleasure.

No, it’s only when RSL’s Dr. James Wilson is onscreen, being discreetly exasperated or mildly sarcastic, that House regains some of the charm that made the show interesting in the first place.

Maybe this is the grand plan: Whereas a couple of seasons ago the producers decided to overload the show with potential new cast members, perhaps now the plan is to slowly whittle the characters down to just House and Wilson. They’ll roam the hospital tending to the sick, each in his own particular way, only to return home in the evening to make dinner together and banter wittily over fresh pie for dessert and a nightly chess game.

I’d watch that. Would you?

Sep 29 2009 08:45 AM ET

Conan O'Brien: See how he hit his head on 'The Tonight Show' last week

Conan O’Brien returned to The Tonight Show last night in good shape after hitting his head last week during a stunt that involved Teri Hatcher in some sort of silver outer-space bathing suit. Check it out:

Wow, you can almost hear his head go clunk, can’t you? His best line last night: “I hit my head so hard that for five seconds, I understood the plot of Lost.” This injury preempted his show Friday night.

Glad Conan is okay. I’d ask if you ever hit your head that hard, but that’s just begging for comments, isn’t it? Instead, I’ll ask if you watched, and if you’d ever engage in a triathlon competition with Teri Hatcher — looked odd yet amusing, didn’t it? And Andy Richter’s laugh after showing the accident footage is priceless.



Sep 29 2009 07:58 AM ET

'Trauma' or 'Lie To Me': Did you watch either of these shows?

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Given the 9 p.m. Monday pile-up that results when ABC puts two hours of Dancing With The Stars up against EW reader-faves Gossip Girl and Greek, I’m really curious whether anyone opted for either the new NBC things-go-boom show Trauma or the second-season premiere of Fox’s I-can-read-your-face drama Lie To Me.

Lie To Me had the advantage of following the hit House; Trauma had the advantage of… um, nothing. (Heroes isn’t a helpful ratings lead-in, and I got off that particular superhero train a while ago anyway: Anyone think I should I re-board?)

I watched Lie To Me because Shawn Ryan, who oversaw The Shield, that piercing bullet of excellence, has joined the Lie staff. I wanted to see if I could detect an uptick in quality in what had been, last season, your basic variation on (well, whattya know) House: know-it-all rule-breaker leads staff of contentious but attractive adepts.

Tim Roth’s Cal Lightman was no more or less wiseguy-intense than he’s been in the past, which was fine: I like Roth’s performance. It’s the plots and the pacing that hobble this series. The two subplots last night — Erika Christensen with multiple personalities witnessed a murder; Cal’s team vetted a potential Supreme Court judge — were ho-hum whenever they weren’t unbelievable. (Cal may be a vain smart-ass, but I don’t think even he would really assert, as he said, that he and his company alone held final power over the judge’s Court confirmation.) As for descrying the hand of Shawn Ryan, I didn’t. I’ll keep watching, though, for a while. Will you?

As for Trauma, I spent the first half wondering if I was ever going to like any of these people, and the second half of the hour deciding that I liked nearly all of them. That was between explosions, wrecks, and the aimless fireballs popping up behind these characters’ heads, courtesy of budget-busting CGI. Cliff Curtis, Anastasia Griffith, Derek Luke, and (yay, Friday Night Lights!) Kevin Rankin all withstood the overheated intensity of Trauma. I’m now curious enough, and intrigued enough by the behind-the-scenes presence of both Peter Berg and Jeffrey Reiner (I repeat: yay, Friday Night Lights!), to watch a second episode.

Would you?

More on Trauma:

http://www.essence.com/news_entertainment/entertainment/articles/derek_luke_talks_trauma/?xid=061709-emailpitch-derekluke

Sep 28 2009 09:57 AM ET

Anyone watching Ken Burns' 'National Parks,' the most beautiful show on TV?

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Last night, Ken Burns’ latest, The National Parks: America’s Best Idea, debuted with two hours of the sort of scenery that is almost unspeakable (that is, except for narrator Peter Coyote and scores of lulling voiceover experts) in its gorgeousness. PBS, with its mingy-minded obsession with Anglophilia and timid, protect-funding-above-all programming, fell behind cable television long ago. So now, when it comes time to present Burns’ contribution to big-beauty-brand TV, it must fight for viewers who are more accustomed to going to sites like the Discovery Channel for pretty pictures to fill their wide-screen televisions.

The first part of National Parks benefited from its portrait of John Muir, the autodidact naturalist who was good for many an eccentric anecdote as he scampered across our national landscape, living in trees and scrawling eloquences in his journals. It also featured park ranger Shelton Johnson, whose love of Yosemite Park and whose voice, as finely burred as one of the trees he admires, help make him an entrancing new TV personality.

Tonight, part two, titled “The Scripture of Our Nature,” contrasts more national beauty with spoilage by mean old businesspeople trying to make a buck off outdoor beauty. (Yes, this is an idea as old as America, but Burns knows how to make it seem freshly appalling.) And we get a portrait of Theodore Roosevelt as a fierce defender of the park system.

As with all of Burns’ productions, National Parks can be too long, too slow, too pleased with itself. But on a night when Parks enables you to avoid Gossip Girl and Dancing with the Stars, why should we be anything but grateful?

Are you watching National Parks?

Sep 27 2009 10:07 PM ET

'The Cleveland Show': A sweet family guy. But was it a good spin-off for you?

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The Cleveland Show has a more easygoing pace and a somewhat sweeter tone than Family Guy. (I know, I know: Cormac McCarthy’s Blood Meridian has a sweeter tone than Family Guy.) This week’s premiere set up the premise, prying Cleveland away from Peter Griffin and Quahog, Rhode Island, establishing him in Virginia with a new marriage and two step-children. Along for the life-change is Cleveland, Jr., and if you got past a lot of fat jokes directed at the kid that were at once mean and totally predictable, The Cleveland Show had its charms. At the very least, it’s a lot funnier and more endearing than the other product from the Seth MacFarlane factory, American Dad.

What The Cleveland Show has going for it is Cleveland’s life experience as a middle-aged black man. I’ve always liked the way Mike Henry (obligatory mention here that Henry is white) voices Cleveland with a slight drawl that matches his more leisurely, patient approach to life. This is a characteristic of his that also appeals to his new wife, Donna. And I  like the Soul Train-style opening credits that both fit Cleveland’s idea of nostalgia and are novel for a new cartoon show.

Speaking of cartoons, I’ve read some reviews that knock The Cleveland Show for having a talking bear as a next-door neighbor, saying that this is an unimaginative rip-off of Family Guy‘s talking dog. Um, I think talking animals have been around in cartoons since the sound era of movies. You can fault Seth MacFarlane and company for a lot of things, and, to be sure, I’ve been doing so as far back as 1999. But double-use of a talking furry creature isn’t one of them. Besides, I like this smoking, necktie-wearing, vaguely-European-accented bear, Tim — he’s something unique in the MacFarlane universe; namely, droll.

Next week’s episode of The Cleveland Show has a few stupid Family Guy crudities including calling a certain film performer a “gross indie porno actress.” But in general, The Cleveland Show has something original going on — fast-paced whimsy — that makes it worth watching.

Did you watch it? What did you think?

Sep 27 2009 02:30 AM ET

'Saturday Night Live' season premiere: Megan Fox, some laughs, and some controversy

Saturday Night Live got off to a rocky season premiere, starting with its choice of host. There was no way Lorne Michaels and company could have known, when they booked Fox, that Jennifer’s Body would be a box-office disappointment. (Which doesn’t also mean it’s a bad movie — I don’t know; haven’t seen it.) But the fact that Fox didn’t even mention Jennifer as part of her resume in introducing herself at the top of the show suggests how much distance she wants to put herself from the film already. It was distractingly awkward.

Whether by her choice or the show’s, Fox was used primarily as — well, as a body. She matched Wiig’s Southern accent in the early flight-attendant sketch, and did some nice acting opposite Will Forte in a well-written Digital Short that was primarily a showcase for Forte’s beautifully calibrated sensitive-nerd SWAT team leader. But in playing a beautiful Russian bride, a cynical chat-line spokesmodel, and a curvy stooge for Kenan Thompson’s terrific Grady-Wilson-teaches-you-sexual-positions commercial, Fox was fine, but she didn’t really stretch her comedy muscles.

New cast members Jenny Slate and Nasim Pedrad didn’t appear much, although Slate may get some unwanted attention for apparently using the f-word by accident during a sketch called “Biker Chick Chat.” Please don’t punish Slate, and back off, FCC — it was clearly an accident.

Wiig, by contrast, was over-worked, popping up all over to little effect, reprising her “Judy Grimes” character, who says, “Just kidding!” a lot, and in an unfortunately long final sketch with a long title: “Your Mom Talks To Megan Fox While You’re Getting Ready.”

Kenan Thompson was really funny as the Sanford and Son character Grady in the Burnin’ Up The Bedsheets DVD sketch mentioned above, and he almost singlehandedly saved a rather drab “Weekend Update” segment with a fresh version of his recurring character Jean K. Jean (“Bon to the jour, Seth!”). Also on the plus-side, Forte (sporting a nice just-joined-the-armed-forces-style haircut) and Bill Hader managed to wring laughs from even weak sketches on the strength of their intonation and delivery.

And: U2 sounded strong, in its usual, overblown way.

Did you watch Saturday Night Live? What did you think?

Sep 27 2009 01:52 AM ET

'Saturday Night Live' goes really live: The f-bomb used by mistake

Categories: Fall TV, Television

Did the f-word get dropped on Saturday Night Live tonight? It sure sounded that way. At about 12:42 Eastern Time, during a sketch called “Biker Chick Chat,” new cast member Jenny Slate seemed to say the word that got SNL cast member Charles Rocket in trouble in 1981.

The sketch included host Megan Fox and Kristen Wiig as “biker chicks” along with Slate. All of them were peppering their mock-tough-talk with the phrase “frickin’” but Slate appeared to say, “I f—in’ love you for that” instead.

Seth Meyers could be seen hugging Slate onstage as Fox closed out the show by introducing U2 for a third and final song.

Here’s hoping no punishment is meted out to the new cast member — or to the show by the FCC –  for what was clearly just a slip of the tongue. Hey, that’s just part of the fun and thrills and risks of actual live TV.

Video below. Warning: language:

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