Archive: August 2009 (31-40 of 47)

Aug 9 2009 11:29 PM ET

'Entourage' scores a rare hole-in-one

Categories: Television

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After a string of weak episodes, Entourage made the most of its male-bonding this week by adding some males that helped make the half-hour funny. Mark Wahlberg (one of the series’ key producers) guest-starred as a golf partner with Vince and Johnny Drama at a charity event, Jeffrey Tambor played a profane version of himself as Ari’s putting partner, and George Segal did a fine turn as a tough-old-bird agent who wanted to hire Eric.

Together with Tom Brady, along for the ride as himself, all of the guys combined for lots of laughs at the expense of preening male ego. Marky Mark was particularly charming, laid-back in demeanor yet aggressive in teasing the always-boasting Johnny (“We believe you, Ripley,” he said in response to one of Johnny’s outlandish claims). Tambor was terrifically cynical, easily out-Ariing Ari with insults like, “Who are you to judge me, agent-scum?” And Segal looked to be doing a cross between Milton Berle and Carl Reiner as seen-it-all agent Murray Berensen. (Loved the detail that his first client was George Lazenby, “the bad James Bond.”)

Because of the golf-charity plot, we got a week’s respite from Entourage‘s most vexing current problems: how to wring more humor from Vince’s success, Turtle’s career yearnings, and E’s career changes. Actually, E’s job offer from George Segal’s character, though a small part of the half-hour, was promising. I’d love to watch these two characters, two generations of show biz, interact more.

And if Mark Wahlberg would show up every week, Entourage’s humor would increase exponentially. Sometimes the original model remains as good or better than the next version. In any case, if Entourage would remain as funny and fast-paced as it was this week, as Segal’s agent says, I’d be utopic.

Did you watch? What did you think?

Aug 9 2009 10:34 PM ET

New 'True Blood' blows up real good

Categories: Television, Vampires

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It’s great the way nearly every episode of True Blood this season picks up right where the last one left off. Thus in the opening seconds this week, we heard Gabe’s neck make a celery-crisp snap-sound in the hands of Godric, who’d come to Sookie’s rescue.

Yet oddly enough, the increased presence of Godric in this week’s episode (oh, for heaven’s sake: SPOILER ALERT!) actually decreased some of the suspense for me. As the hour proceeded, I realized that nothing drastic was really going to occur — none of the central characters was ever in real danger — because they were in the presence of Godric, who could whirl over super-fast and save whoever needed saving. Which is not to say the hour was dull; not when a vampire says to a human, “You’re no more than a blood bag!”

Speaking of saving, Rev. Steve risked his mortal soul defying Godric. You have to hand it to Steve; he’s been cuckolded and paintballed by Jason; he saw a mighty display of power by Godric, Eric, and a passel of vampires led by a black-hatted cowboy, all right inside his own church; and he still had the nerve to proclaim to Sookie, hilariously, “The war has begun, you evil whore of Satan!”

This edition, directed by John Dahl, was primarily a Bill-Sookie-Eric-Jason affair, with a side-dish of Sam barely simmering. The only other tale of note was the extravagantly creepy Maryann subplot. At this point, Maryann is always good for creepiness, and this time out, she baked dead Daphne’s heart into a “hunter’s souffle” and served it to an unwitting Tara and Eggs. Their reaction was effectively disturbing: their ravenous eating of the dead soul’s heart led to a mixture of pleasure and pain. The couple had the hots for each other and wanted to smack the bejesus out of each other at the same time, as Maryann looked on in malicious glee.

Indeed, the theme of this episode was about power: unleashed and constrained. Bill finally freed himself from his maker, Lorena, but not before, as she so amusingly put it later, he “hit me with a 52-inch plasma television…such shenanigans.” Bill’s arrival at Sookie’s side came a little too late for an angry Sookie, who had to be grateful to Eric for arriving before Bill to try and rescue her. And it was a great episode for Eric, wasn’t it? Alexander Skarsgard is excellent at playing barely restrained contempt for any kind of order or command, whether it’s coming from someone he doesn’t respect (Sookie, Steve) or worships (Godric).

And hands down the funniest moment of the season occurred when Jason took Bill aside to apologize and give the moody vampire a big hug. “Was that OK for you?” asked Jason, as Bill looked even more pale than usual, this time with embarrassment at this public display of male affection.

The joke was a fine one for a series populated most copiously with handsome male stars. And tonally, it was a perfect contrast to the night’s cliff-hanger: Luke — idiotic, deluded, hunky Luke — showing up at the vampire shindig, his body rigged with enough time bombs to make someone in The Hurt Locker start sweating nervously.

What do you think will happen when the bombs go boom? Will they go boom, or will Godric waft over swiftly and snuff them out? And what were your favorite moments of this week’s True Blood?

Aug 9 2009 08:34 PM ET

Elisabeth Hasselbeck of 'The View' gives birth to a boy, Isaiah

Categories: Television

ABC News is reporting that The View co-host Elisabeth Hasselbeck has given birth to a boy, Isaiah. He weighs seven pounds, seven ounces. (Hey, same as my eldest daughter weighed at birth!)

Congratulations, Elisabeth!

In one of his books, the poet William Blake recounts a vision of the Biblical prophet Isaiah, in which Isaiah says “my senses discovered the infinite in every thing.” Here’s hoping Isaiah Hasselbeck brings nothing but infinite joy to his parents, Elisabeth and her husband, ESPN analyst and former NFL quarterback Tim Hasselbeck!

Aug 7 2009 09:16 PM ET

Producers attack NBC: 'They should take down the American flag and put up a white one'

Categories: Television

At a lively — well, occasionally explosive — panel of TV producers working on FX cable shows today, NBC came under fierce, funny, profane attack.

Said Peter Tolan (Rescue Me): “NBC should take down the American flag in front of [their] building and put up a white one, because they’ve given up.”

Kurt Sutter (Sons of Anarchy) said, “NBC, they’re sort of the bastards to hate right now.”

Shawn Ryan (The Shield, Fox’s Lie to Me) said, “That network used to stand for something better…that feels offensive to me.”

What were they all talking about? NBC’s scheduling Jay Leno’s 10 p.m. show five nights a week, and thus depriving the public of five hours of scripted dramas. “Five nights a week [of Leno] is craven,” said Tolan.

Ryan chided the assembled Television Critics Association in Los Angeles this morning, saying he wished us critics “would hold NBC’s feet to the fire” and not buy into NBC’s argument that the Leno show is a wise business idea. “They talk about how Leno’s show’s going to be cheaper to make. But what’s the value of a show after it’s aired? They can’t sell it on DVD. No one’s interested in watching an episode of it three weeks later because all the topical humor is no longer topical.”

These producers looked back with misty eyes to the glory years of NBC drama, from Hill Street Blues up through ER.

Well, this was fun stuff. It’s always nice to hear TV professionals actually say what they think and not just profess to love everyone they work with. (It should be added that the two other producers on the panel, Damages‘ Todd A. Kessler and Lawman‘s Graham Yost, were more diplomatic and measured in their responses.) But there was also a whiff of embattledness to some of the gibes. Tolan said, “The business is cyclical, and…we’re all sort of waiting for reality [TV] to die down, in terms of reality TV being crap, which 90% of it is.”

I don’t think reality TV is going to die down any time soon; it’s pretty much here to stay, don’t you think? And some on the panel even acknowledged that the five hours that drama loses with Jay is more than made up for by the hours and hours of drama you can now watch on basic cable, on USA and AMC and TNT and…of course, FX. And I really don’t think that if NBC gets a good drama project, they’re not going to schedule it, at 8 or 9 p.m.

That said, what do you think of the producers’ argument: that five nights of Jay Leno is robbing you of fortifying drama, and tarnishes NBC’s history in this area. Yes? No?

Aug 7 2009 08:36 PM ET

The first terrific show of 2010? Timothy Olyphant's 'Lawman' looks like a possibility

Categories: Television

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I think I just may have seen one of the best shows of 2010: Lawman, a new FX series starring Timothy Olyphant.

I know that may seem a foolish claim to make based on a four-minute clip shown today at the Television Critics Association gathering in Los Angeles, but… man, this looked good, and consider the folks involved. Deadwood and Damages‘ Timothy Olyphant stars as a modern-day U.S. Marshal. The show is based on a character created by Elmore Leonard in a short story, “Fire in the Hole.”  The pilot was directed by Michael Dinner, who worked on the underrated Leonard-based series Karen Sisco. It’s produced by Graham Yost, who oversaw Boomtown and was a producer on Band Of Brothers.

And the first villain for Olyphant’s lawman to track down? The Shield‘s Walton Goggins.

I’m telling you, from Olyphant’s easy drawl to the laconic, very Elmore Leonardesque dialogue, this looked like a humdinger. Look for it in March on FX.

Any Tim Olyphant and/or Elmore Leonard fans out there?

Aug 7 2009 01:18 AM ET

'Burn Notice' goes out with a bang-bang

Categories: Television

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Burn Notice finished out its summer run in a way that fans could appreciate: By finally putting the relationship between Michael and Fiona front and center and in danger. (What follows: Spoiler Alert.) While I found it hard to believe that we were actually supposed to buy the idea that Fiona was going to move back to Ireland forever and thereby leave the series, she was placed in just enough danger (she was, after all, this week’s designated “Client”), that the hour increased her importance in Michael’s life and as an agent for action in a series that has occasionally ignored Fiona. (Do you suspect that Gabrielle Anwar is pretty glad that Moon Bloodgood and Tricia Helfer have been taken out of the running for Michael’s attention when it comes to strong female characters? I know I am.)

Having Fiona’s brother show up to warn her that someone’s coming to kill her, when she already had one sandal-clad foot out the door, was a smart way to get the action revved up. (And avoid a “mere” does-Michael-love-Fiona-enough plotline; Burn Notice thrives on keeping  things moving, not getting bogged down in dialogue, and expressing emotion through behavior and action.)

But equally good was the conclusion of the Strickler storyline. I think Ben Shenkman has been extremely good in this role, but that his arc ended just as it should have: this guy could not have stayed in Michael’s life.

There’s also been a notable increase in action for Sam; he’s not just a wisecracking layabout this season. Seeing him do a lot of shooting and engaging in the action scenes made me remember how good Bruce Campbell is even when he’s not being funny.

All in all, a pretty satisfying ending to Burn Notice‘s summer run, wouldn’t you say? Or do you disagree?

Aug 7 2009 12:16 AM ET

'Big Brother' eviction night: a cheesy rat leaves the house

Categories: Television

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How nice that Big Brother just keeps getting loonier, sillier, and more no-loyalty cut-throat. All that, plus the spectacle of Lydia on the chopping-block wearing a black mascara-mask of Zorro topped off by Kate Gosselin’s swirly-twist hairdo. (Note: from this point on, SPOILER ALERT.)

I figured Jeff, who’s established himself as a nice guy, would get America’s vote for the “coup d’etat” power, but I couldn’t have predicted he’d pronounce his new prize as a “coop-de-TAH.” Ah, the exposure of illiteracy is one of BB‘s ongoing fascinations.

It was deeply satisfying to see the 4-3 vote to evict Ronnie, and may I congratulate Jordan for hammering in that final nail-in-coffin. The young woman may play (or, who knows with this show, be) a goofball, but whether by chance, fear, loyalty, or dumb luck, she’s been making all the right moves. (Though I’m not sure cuddling with Mr. Coop De Tah is going to work in her favor in the long run. Women who hook up with guys in BB, sexist historical theory or not, tend not to win this hot-house competition at the end.)

I wasn’t even rooting for Ronnie to remain in the game because he was a “good villain.” For all his (and the show’s) hype of Ronnie as a great student of BB strategy, he turned out to be lame-o as a manipulator, a mingy doofus without any gift for gab or original insult.

I’ll keep it short. Two other things:

Hey, Julie Chen, thanks for the shout-out for your fine EW.com blog. It’s among the best host-blogs we’ve ever had.

And make sure to read Kate Ward on our BB-best TV Watch.

Aug 6 2009 09:35 PM ET

Chi McBride puts 'Pushing Daisies' in perspective

Categories: Television

At a panel today for Fox’s new series Human Target, co-star Chi McBride, late of Pushing Daisies, told the assembled Television Critics Association an instructive anecdote.

“Someone said to me today, ‘Everybody loved Pushing Daisies,’” noted McBride. “I said, ‘No, they didn’t — that’s why I’m here today talking about a new show.’”

Human Target premieres in January. It’s good. Best of luck to him and this new series.

Aug 5 2009 10:49 AM ET

Paula Abdul: Will you miss her on 'American Idol'? I will

Categories: Reality TV, Television

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Well, there goes one of the few reasons why I ever watched American Idol.

Paula Abdul’s decision to leave Idol removes a crucial element in what is one of the few subtle things about this singing competition: the balance between the judges’ standards of quality, and their mix of personalities.

Paula was widely ridiculed — frequently by Simon Cowell as well as by fans and critics — for her often wildly discursive, breathless, looped logic in analyzing any singer’s performance. But Abdul played a crucial role at that table: she was the judge who identified most intensely with the performers, who took the “I’ve been there, I know how hard this is” position. She always came to praise, in the same way Simon comes to carve singers up.

Sure, she rarely gave us anything approaching real criticism. She didn’t delve deeply into technical analysis, or get off many good one-liners — that’s hard to do when you spend a lot of your time moved to near-tears (and often real tears) by a performance.

But that’s what was endearing about Abdul: She was all heart. Simon, Randy, and Kara, for all their differences, aren’t as hot-wired directly to their emotions as Paula is.

Sure, Idol is just one big, loud, glitzy singing contest. Sure, I’ve never been Idol‘s biggest fan. But I liked the way Abdul was there to throw off the curve, to send an often absurd show into even more surreal directions.

We have no idea what she’ll be doing next. But mark my words: her sincere wackiness, her heartfelt absurdism, her cheerful eccentricity, will be missed on American Idol.

What do you think?

Aug 5 2009 02:21 AM ET

Maura Tierney helps rescue 'Rescue Me'

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Rescue Me this season has hit some very high highs (the Michael J. Fox story arc; Tommy’s ongoing tussle with alcoholism) and some loopy lows (those too-long musical numbers; turning Callie Thorne’s Sheila into a such a nut, it’s hard to believe Tommy finds their relationship worth it).

But last night the series vaulted to the stratosphere once again with the second appearence by Maura Tierney as a mysterious but tough and alluring woman who set nearly the entire firehouse aflame… with desire.

One of the best things about Rescue Me is that, for such an on-the-surface “male” show, it’s always presented a wide range of women, from Andrea Roth’s Janet (a mixture of brutal, brittle, and beautiful) to, more recently, the great New York stage actress Kathleen Chalfant as Sean’s astringent mother.

To this, add Tierney, whom we met last week in the closing seconds of Rescue Me walking fearlessly into a burning building to retrieve a box. This week, her character Kelly visited the firehouse to flirt with Franco (or as she dubbed him, “Pillow Lips”) and banter with Tommy, whom she started calling “Ron Howard” and “Opie.” Tommy, who loves to flop his blond mane around macho-style, was incensed that this woman would compare him to the now-balding Howard’s  Andy Griffith Show character.

No matter. He was still turned on by Kelly. Tierney, who used to make exhaustion and despair sexy on ER, really lets loose in these episodes. It’s nearly impossible to upstage the boisterous firefighters in Rescue Me, but she did it.

Watching her, I was reminded once again of the reports that Tierney’s health has delayed the premiere of her new sitcom, Parenthood, and wish her all the best. Because, boy, this woman can explode a scene, again and again.

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